I was unsure whether to post the book trailer for James Anderson’s latest novel at the beginning or end of this interview. But, the trailer for Lullaby Road is so powerful, I thought it might tempt you to read further.

[youtube https://www.youtube.com/watch?v=PACypLvl8MI?rel=0&w=560&h=315]

James Anderson will be at the Poisoned Pen on Wednesday, Jan. 24 at 7 PM. Lullaby Road has been selected as this month’s pick for the Hardboiled Crime Club. Signed copies are available through the Web Store. https://bit.ly/2mOjfyL

*****

Even if you can make it on Wednesday, I think you should read this revealing interview with James Anderson. I asked a friend to do the interview. Kaye Wilkinson Barley is a writer and probably Anderson’s biggest fan. I knew her questions might bring out insights that no one else might discover. Kaye, thank you for interviewing James Anderson.

*****

1. Would you start by introducing yourself to readers?

That’s a tough question. Can we come back to that? ☺ Okay, I know that shouldn’t be a hard question to answer, but for me it is. My younger sister and I were raised in several places around the Pacific Northwest and Northern California. Our father abandoned us at a Greyhound bus station in Salem, Oregon when I was about two or three and my sister an infant. We were taken in for a year or so by a Quaker family until my mother found a job and a place for us to live. I hated high school and barely graduated, got into some trouble, so it was a surprise to everyone (except my mother) when I attended Reed College and later graduate school in Boston. My sister went to University of California at Berkeley.  When I was still at Reed I started my publishing company, which gradually grew into a nationally respected book publisher. Throughout high school and college I was always writing, novels, poetry, essays, etc. I wrote my first novel when I was 16. It was age-appropriate and terrible!

2. Would you introduce us to Ben Jones?

Ben Jones is an independent truck driver whose daily route takes him up and down an isolated hundred-mile stretch of road in the high desert of Utah. He delivers necessities to the desert rats, eccentrics and self-exiled and for many of them Ben is their only regular contact with another human being. He’s an orphan and, as far as he knows, he is the child of a Jewish social worker and a Native American father. He was adopted by a Mormon couple when he was six or seven and has been driving his truck on State Highway 117 since he was eighteen. He’s just now closing in on forty.

3. Tell us about Lullaby Road, without spoilers.

In my first novel, The Never-Open Desert Diner, Ben accidentally stumbles upon a woman playing a cello in an empty house in an isolated and abandoned housing development in the high desert. In LULLABY ROAD, Ben is contending with winter in the desert and suddenly finds himself responsible for a young mute Hispanic child that has been left at a seedy truck stop in the middle of nowhere. In the process of trying to keep up his regular delivery schedule he is attempting to find the child’s father. Who that child’s father is, and the tragedy and jeopardy  both Ben and the child face, circles back to an event that occurred at the diner, and to its owner, Walt Butterfield, forty years earlier, and provided the narrative core of the first novel. But LULLABY ROAD is not a sequel, though a kind of continuation with recurring characters. It can be read without having read the first one.

4. What inspired this story?

We all have our hot button issues. Mine happens to be children, particularly children at risk—and these days they are legion. A long time ago I was one of them, and if not for some caring and wonderful strangers, I might not be around today. In many ways I think children around the world, how they are oppressed, ignored, marginalized and even commoditized, are the canaries in our global coal mine. How we treat children is a commentary on who we have become. Children at risk these days are often discussed as a political issue, a problem to be dealt with that denies their fundamental humanity, and ours. Not just border children, but refugee children, and they have been weaponized in an ideological war that pits empathy against fear. Caring about another human being always involves risk—and it would seem that there are many in this world today who are unwilling to assume that risk.

5. I understand you were a trucker for a short time. (Actually, you’ve done an amazing number of different things and had a wide variety of jobs!) What stories or memories helped you to create Ben?

I was, but for a very brief time. Ben is able to let his mind wander while he drives the desert—I drove a building supply truck and when my mind wandered I crashed the truck! And was fired. There is so much that has gone into Ben, and much of that has to do with my background, which is similar to his—or at least inspired his. There is his reverence for the natural world, particularly the desert and an abiding though occasionally begrudging empathy for his customers. He is carrying some emotional baggage, as are we all, and trying to be a better person and out-distance the sometimes violent and anti-social young man he was. In many ways Ben is as much an exile as the people he serves, and though paradoxical, he respects them and recognizes the kind of human connection and responsibility that is part of their shared desert diaspora. The combination of a harsh environment and isolation often results in a weird hightened awareness of what it means to be human and interdependent, with each other, nature and the environment. Ben has no super power. He doesn’t speak ten languages and isn’t a former Navy Seal. As I’ve said before, if anything Ben’s super power is that he gets up every morning and puts his boots to the floor and goes to work—low pay, long hours and no parades— and tries to be a better person—like most of us. Or at least I like to think so.

6. Setting and atmosphere are so important in your books. You spend time in the Four Corners region. Tell us about your feelings about that area and the desert.

One of the most sacred regions in the world is located in the Four Corners area (the intersection of Colorado, Utah, Arizona and New Mexico)—Mesa Verde, which is where the ancient puebloan (formerly referred to as Anasazi, which means “Ancient Ones) cliff dwellings are, atop a vast mesa thousands of feet high. I lived in Durango for a while and spent a lot of time at Mesa Verde. I go back as often as I can. But the true answer to your question is more difficult to put into words. As many reviewers have noted, the desert is as much a character in my novels as the people, and why they choose to live as they do, and the natural though terrible beauty, especially in the diffuse red light of Utah, churns my imagination in ways that, for instance, New York City does not. There is magic in the natural world, which is shrinking, and I fear that without it we will lose our connection to what is truly important in the world.

7. You write poetry as well as crime fiction. Your novels are quite lush and poetic at times. What made you turn to crime?  (AND – where might we find some of your poetry?).

Oh, you’d have to search through small magazines and literary journals around the country going back forty years. I have published quite a lot of poetry and though I have been approached on several occasions by publishers who want to collect them into a book, I have resisted. I read a lot of poetry, and always have, and I find that my love of poetry informs my prose in ways that are distinctive and not often found in crime fiction, or fiction in general. Still, though, I try not to go overboard lyrically and keep the focus on the story and the voice of Ben Jones as much as I can. I don’t think I actually “turned” to crime, and I am not certain my novels can be accurately referred to as “crime” novels. I had a very precarious childhood and young adulthood and crime, particularly violence of various kinds, was a part of my daily life, as a victim and as a witness—in that sense crime, or crimes, as they appear in my novels, are a part of life, part of the fabric of Ben’s life, and not the central focus. Overall, as a novelist, I am much more concerned with the effect violence has on us, directly and indirectly, that can manifest itself over time—a kind of personal geological time that results in seismic events.

8. What authors have inspired your writing?

My favorite books are probably instructive as to why my own work has such a hybrid nature. My first introductions to crime/mystery/suspense fiction came while I was in college and working night shifts in convenience markets. I was reading these formidable tomes by Friedrich Schleiermacher and Martin Heidegger and others, as well as the Greeks and so on and every once in a while I would reach over and pull a paperback off the spin rack—and as a result my scholarly responsibilities and interests were punctuated by forays into Raymond Chandler and, one of my biggest influences, John D. MacDonald’s Travis McGee series. My reading interests are extremely varied, as they have always been, physics, neuro-biology, biography, history, philosophy as well as nonfiction and memoirs, novels and poetry. As for specific titles, it is an eccentric list of favorites. Tom Sawyer; Wisdom of the Desert Fathers by Thomas Merton; Zen Mind, Beginner’s Mind by Shunryu Suzuki; Red, by Terry Tempest Williams; The Devil’s Highway by Luis Alberto Urrea; The Great Gatsby by F. Scott Fitzgerald in addition to writers like Patricia Highsmith, James Lee Burke, Ross Macdonald and Robert B. Parker.

9. What’s on the top of your TBR (To Be Read) pile?

I cannot see the top of my TBR pile! So, so many. Let me just peek to my right for a glimpse of just one of the piles surrounding me. The new novel by Steve Yarbrough, The Unmade World; the new novel by Luis Alberto Urrea, House of Broken Angels; The Collected Poems of Galway Kinnell; the new book by Gregory McNamee on the history of southwest cooking—Tortillas, Tiswin & T-Bones: A Food History of the Southwest.

10. Ben Jones has become a favorite.  Is the plan still to have him appear in a total of three novels? Where is Ben heading in the future, besides back on Route 117 in Utah?

That is a very, very tough question. My plan is still for only three books though who knows. Whether there is a third depends largely on whether or not LULLABY ROAD is successful enough to warrant a third. There are other kinds of books, stories, I’d like to write, and I don’t want to dedicate the rest of whatever time I have left to just one character. But anything is possible. The narrative arc that began with The Never-Open Desert Diner is also a personal arc for the character of Ben, and there is still much Ben has to learn, about the desert and the characters, and for Ben himself. Hell, writing is just as much a journey of discovery for the author. What is true for Ben is also true.  There is so much mystery left to explore!

 

And on a personal note, I was lucky enough to read an advance copy of Lullaby Road, and it is exquisite.  As you know, I was (and still am) a cheerleader for your first novel, The Never-Open Desert Diner.  Seems I’m going to be proudly continuing that gig for Lullaby Road.

 

Thanks, Kaye! You were an early and passionate supporter of my work, and I am deeply grateful for your praise and encouragement. It helps keep me going. Fingers crossed for LULLABY ROAD.

*****

Thanks to Kaye Wilkinson Barley for interviewing James Anderson.

Kaye blogs at https://www.meanderingsandmuses.com/ You can order copies of her books, Whimsey: A Novel, or My Name is Harley and This is My Story, through the Web Store. https://bit.ly/2mOC4BT

 

The Diana Gabaldon/Poisoned Pen Writer in Residence for February, 2018, is Toronto’s Ian Hamilton.

Ian Hamilton is the author of the Ava Lee series. The books have been shortlisted for numerous prizes, including the Crime Writers of Canada’s Arthur Ellis Award, the Barry Award, and the Lambda Literary Prize, and are Canadian bestsellers. The Water Rat of Wanchai was the winner of the Arthur Ellis Award for Best First Novel and was named a best book of the year by Amazon.ca, the Toronto Star, and Quill & Quire. BBC Culture named Hamilton “One of the Ten Mystery/Crime Writers from the Last Thirty Years That Should Be on Your Bookshelf.” The series is being adapted for television.

Mr. Hamilton will do a program/signing with another award-winner, Leslie S. Klinger, on February 10 for his January 30 release, The Imam of Tawi-Tawi; host authors Matt Haig (February 11) and Tom Sweterlitsch (February 13), and teach a Writers Workshop on February 12—all at The Poisoned Pen.

Proceeds of the workshop will go to new newly created Poisoned Pen Foundation which plans to host other Writers in Residence to support published authors and to develop other programs to foster writers and publishing including visits from professional publicists and sending writers to conferences and other residencies. Contributions to the Foundation are fully tax deductible.

 
Mr. Hamilton’s website is https://ianhamiltonbooks.com/. His publisher is House of Anansi Press, distributed in the US by PGW/Ingram Publisher Services. 

It could have been a Red Carpet event at the Poisoned Pen the other night. Author Hank Phillippi Ryan was here to interview Andrew Grant and Nick Petrie. But, other glamorous authors showed up as well.

Here’s Jenn McKinlay with Hank.

As I said, Hank interviewed Grant and Petrie about their new books. There are signed copies of Andrew Grant’s False Witness and Nick Petrie’s Light It Up available through the Web Store. https://store.poisonedpen.com

But, this IS the Poisoned Pen. Hank Phillippi Ryan’s signed copies of her latest, Say No More, is available.

Tasha Alexander’s Lady Emily mystery, Death in St. Petersburg, is in the Web Store.

There are signed copies of Rhys Bowen’s Molly Murphy mystery, The Ghost of Christmas Past, and her Lady Georgie one, On Her Majesty’s Frightfully Secret Service.

Bowen’s standalone, In Farleigh Field, just nominated for a Lefty Award for Best Historical Novel, is signed and available.

And, Every Dog Has His Day may be Jenn McKinlay’s latest book, but her previous Bluff Point Romance, Barking Up the Wrong Tree, was just nominated for the RT Reviewer’s Choice Award for Best Contemporary Love and Laughter Novel. There are signed copies of both these books, as well as McKinlay’s mysteries, in the Web Store.

Authors, glamour, award nominees, and signed books. The Poisoned Pen has it all for readers.

Have you read Jeffrey Siger’s latest Chief Inspector Andreas Kaldis novel yet? An Aegean April is a powerful police procedural that discusses the refugee crisis in Greece. If you haven’t yet read it, you can pick up a signed copy through the Web Store. https://bit.ly/2mDS5L5

Siger recently wrote a piece for Bookreporter.com called “Thoughts on Today’s Refugee Crisis in Greece from Jeffrey Siger, Author of An Aegean April.” You may want to read it. https://bit.ly/2DezFKe

Once you’ve read that, you may be even more interested in reading the latest book in the series. Here’s the summary.

The beautiful Greek island of Lesvos, birthplace of the poet Sappho, and for centuries an agrarian paradise famed for anise-flavored ouzo and tasty sardines, sees its serenity turn into chaos as the world watches boatloads of refugees daily flee onto its shores from Turkey across the narrow Mytilini Strait.

Mihalis Volandes is one of Lesvos’ elite, the patriarch of a storied shipping clan. He’s weathered many changes in his long life, and when a government policy accelerates the surge of refugees onto his island, he rises to prominence in relief efforts he sees as growing increasingly ineffectual.

One evening, after working to stir up support for his breakthrough plan to strike at the heart of the lucrative refugee trafficking trade, he returns to his mansion in darkness – only to fall victim in his own garden to a swishing sword.

A refugee-turned-local-aid-worker is found at the scene, splattered with Volandes’ blood, and swiftly arrested by island police. Case closed – or would be, if young Ali Sera were not working with SafePassage, an NGO (non-government organization), headed on Lesvos by American Dana McLaughlin. McLaughlin is having none of Ali’s arrest. Within hours the phone rings in the Athens office of Chief Inspector Andreas Kaldis, and she’s requesting that Kaldis take over the investigation.

Volandes was a prominent citizen and the crime particularly gruesome. Could it be terrorism or something else? But whether Ali is guilty or framed, Andreas can’t ignore a powerful motive for the murder. Volandes’ daring plan, if implemented, would soon shut down the cash-generating refugee-trafficking pipeline between Turkey and Lesvos.

And so, we’re off on a nail-biting ride with Kaldis and his team through Byzantine island politics, deteriorating diplomatic relations, and a world on fire with intrigues and more brutal deaths.

This ninth Andreas Kaldis thriller once again links modern Greece to its ancient past, the powerful grip of myths upon its people, and cutting edge issues of societal change affecting our world at large.

 

The “Lefty Awards” are Awards presented each year at the annual Left Coast Crime convention. This year, the convention is in Reno, Nevada in March, and it’s called “Crime on the Comstock”. Congratulations to the two nominees from Poisoned Pen Press., Priscilla Royal and Wendall Thomas. Royal’s The Proud Sinner is nominated for the Bruce Alexander Memorial Award, the Lefty for Best Historical Mystery Novel. Thomas’ Lost Luggage is nominated for Best Debut Mystery Novel. Of course you can find signed copies of both titles in the Web Store. https://store.poisonedpen.com

 

Here’s the link to the announcement of the Lefty nominations. https://bit.ly/2rbxt1x. Check the Web Store for the titles. https://store.poisonedpen.com/

Today is the perfect day to discuss Lauren Willig’s latest historical novel, The English Wife. Tasha Alexander hosts Willis and Deanna Raybourn at the Poisoned Pen at 2 PM. If you can’t be there, you can still order signed copies through the Web Store. https://bit.ly/2mz7SL0

Here’s the summary.

“Brings to life old world New York City and London with all the splendor of two of my favorite novels,The Age of InnocenceandThe Crimson Petal and the White. Mystery, murder, mistaken identity, romance–Lauren Willig weaves each strand into a page-turning tapestry.” -Sally Koslow, author ofThe Widow Waltz”Her best yet…A dark and scintillating tale of betrayal, secrets and a marriage gone wrong that will have readers on the edge of their seats until the final breathtaking twist.” -Pam Jenoff,New York Times bestselling author ofThe Orphan’s TaleFromNew York Times bestselling author, Lauren Willig, comes this scandalous novel set in the Gilded Age, full of family secrets, affairs, and murder.Annabelle and Bayard Van Duyvil live a charmed life in New York: he’s the scion of an old Knickerbocker family, she grew up in a Tudor house in England, they had a fairytale romance in London, they have three-year-old twins on whom they dote, and he’s recreated her family home on the banks of the Hudson and named it Illyria. Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of theirTwelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to try to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?

*****

If you would prefer the short visual summary, check out Adam Wagner’s .GIFNotes at CriminalElement.com  His summaries are always funny. https://bit.ly/2r2hSBj.

C.J. Tudor’s The Chalk Man is a psychological suspense debut now available through the Web Store. https://bit.ly/2mrJTwl

C.J. Tudor can introduce her book.

[youtube https://www.youtube.com/watch?v=pjtpOECs0bc?rel=0&w=560&h=315]

Here she is talking about the inspiration for The Chalk Man.

[youtube https://www.youtube.com/watch?v=P07dnm3t4e8?rel=0&w=560&h=315]

Interested? Here’s the summary from the Web Store.

“I haven’t had a sleepless night due to a book for a long time. The Chalk Man changed that.”
—Fiona Barton, New York Times bestselling author of The Widow

A riveting and relentlessly compelling psychological suspense debut that weaves a mystery about a childhood game gone dangerously awry, and will keep readers guessing right up to the shocking ending

In 1986, Eddie and his friends are just kids on the verge of adolescence. They spend their days biking around their sleepy English village and looking for any taste of excitement they can get. The chalk men are their secret code: little chalk stick figures they leave for one another as messages only they can understand. But then a mysterious chalk man leads them right to a dismembered body, and nothing is ever the same.
In 2016, Eddie is fully grown, and thinks he’s put his past behind him. But then he gets a letter in the mail, containing a single chalk stick figure. When it turns out that his friends got the same message, they think it could be a prank . . . until one of them turns up dead.
That’s when Eddie realizes that saving himself means finally figuring out what really happened all those years ago.
Expertly alternating between flashbacks and the present day, The Chalk Manis the very best kind of suspense novel, one where every character is wonderfully fleshed out and compelling, where every mystery has a satisfying payoff, and where the twists will shock even the savviest reader.

Have you heard all of the media buzz about the Poisoned Pen’s current Hot Book of the Week, A.J. Finn’s The Woman in the Window? Until Fire and Fury came out, this book may have been the most talked about book in the last couple months. There are signed copies available through the Web Store. https://bit.ly/2qTTrFP

Here’s the summary of the book.

“Astounding. Thrilling. Amazing.” —Gillian Flynn

“Unputdownable.” —Stephen King

“A dark, twisty confection.” —Ruth Ware

“Absolutely gripping.” —Louise Penny

For readers of Gillian Flynn and Tana French comes one of the decade’s most anticipated debuts, to be published in thirty-six languages around the world and already in development as a major film from Fox: a twisty, powerful Hitchcockian thriller about an agoraphobic woman who believes she witnessed a crime in a neighboring house.

It isn’t paranoia if it’s really happening . . . 

Anna Fox lives alone—a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors.

Then the Russells move into the house across the way: a father, a mother, their teenage son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble—and its shocking secrets are laid bare.

What is real? What is imagined? Who is in danger? Who is in control? In this diabolically gripping thriller, no one—and nothing—is what it seems.

Twisty and powerful, ingenious and moving, The Woman in the Window is a smart, sophisticated novel of psychological suspense that recalls the best of Hitchcock.