Mike Maden’s new Jack Ryan, Jr. novel, Tom Clancy: Firing Point, appears on The New York Time‘s Bestseller list on June 28. Now’s the time to order a signed copy of the book through the Web Store. https://bit.ly/3ef9W3r

Here’s the summary of Tom Clancy: Firing Point.

Jack Ryan, Jr. is out to avenge the murder of an old friend, but the vein of evil he’s tapped into may run too deep for him to handle in the latest electric entry in the #1 New York Times bestselling series.

While on vacation in Barcelona, Jack Ryan, Jr. is surprised to run into an old friend at a small café. A first, Renee Moore seems surprised to see Jack, but then she just seems irritated and distracted. After making plans to meet later, Jack leaves, only to miss the opportunity to ever speak to Renee again, as the café is destroyed minutes later by a suicide bomber. A desperate Jack plunges back into the ruins to save his friend, but it’s too late. As she dies in his arms, she utters one word, “Sammler.”

When the police show up they are initially suspicious of Jack until they are called off by a member of the Spanish Intelligence Service. This mysterious sequence of events sends the young Campus operative on an unrelenting search to find out the reason behind Renee’s death. Along the way, he discovers that his old friend had secrets of her own—and some of them may have gotten her killed.

Jack has never backed down from a challenge, but some prey may be too big for one man.

*****

If you’re a fan of the Tom Clancy franchise, you’ll want to watch the virtual event with Mike Maden and Barbara Peters, owner of The Poisoned Pen. Maden talks about coming into the franchise and the difference between the Jack Ryan, Sr. and Jack Ryan, Jr. books. It’s a fascinating discussion.

This current Hot Book of the Week is one of the selections for The Library of Congress Crime Classics, published by Sourcebooks/Poisoned Pen Press. C.W. Grafton, Sue Grafton’s father, is the author of The Rat Began to Gnaw the Rope. You might be interested in ordering a copy of the book. https://bit.ly/3hAwjTb

Here’s the description of The Rat Began to Gnaw the Rope.

Is this lawyer digging his way to the truth, or digging his own grave?

Short, chubby, and awkward with members of the opposite sex, Gil Henry is the youngest partner in a small law firm, not a hard-boiled sleuth. So when an attractive young woman named Ruth McClure walks into his office and asks him to investigate the value of the stock she inherited from her father, he thinks nothing of it—until someone makes an attempt on his life.

Soon Gil is inadvertently embroiled in scandal, subterfuge, and murder. He’s beaten, shot, and stabbed, as his colleagues and enemies try to stop him from seeing the case through to the end. Surrounded by adversaries, he teams up with Ruth and her secretive brother to find answers to the questions someone desperately wants to keep him from asking.

In this portrait of America on the eve of America’s entry into World War II, C.W. Grafton—himself a lawyer and the father of prolific mystery writer Sue Grafton—pens an award-winning mystery that combines humor and the hard-boiled style and will keep readers guessing until its thrilling conclusion.

*****

Leslie Klinger, editor of The Library of Congress Crime Classics series, recently talked about the book and the line with Barbara Peters, owner of The Poisoned Pen.

How many virtual book releases have you attended since the Covid-19 shutdown? Laurie R. King’s virtual release of the sixteenth Mary Russell and Sherlock Holmes novel, Riviera Gold, took place this week via The Poisoned Pen. You can order a signed copy of the book through the Web Store. https://bit.ly/2yDn27l

Here’s the summary of Riviera Gold.

Mary Russell and Sherlock Holmes turn the Riviera upside down to crack their most captivating case yet in the New York Times bestselling series that Lee Child called “the most sustained feat of imagination in mystery fiction today.”

It’s summertime on the Riviera, and the Jazz Age has come to France’s once-sleepy beaches. From their music-filled terraces, American expatriates gaze along the coastline at the lights of Monte Carlo, where fortunes are won, lost, stolen, and sometimes hidden away. When Mary Russell and Sherlock Holmes arrive, they find their partnership pulled between youthful pleasures and old sins, hot sun and cool jazz, new affections and enduring loyalties.

Russell falls into easy friendship with an enthralling American couple, Sara and Gerald Murphy, whose golden life on the Riviera has begun to attract famous writers and artists—and some of the scoundrels linked with Monte Carlo’s underworld. The Murphy set will go on to inspire everyone from F. Scott Fitzgerald to Pablo Picasso, but in this summer of 1925, their importance for Russell lies in one of their circle’s recent additions: the Holmeses’ former housekeeper, Mrs. Hudson, who hasn’t been seen since she fled England under a cloud of false murder accusations.

When a beautiful young man is found dead in Mrs. Hudson’s front room, she becomes the prime suspect in yet another murder. Russell is certain of Mrs. Hudson’s innocence; Holmes is not. But the old woman’s colorful past has been a source of tension between them before, and now the dangerous players who control Monte Carlo’s gilded casinos may stop at nothing to keep the pair away from what Mrs. Hudson’s youthful history could bring to light.

The Riviera is a place where treasure can be false, where love can destroy, and where life, as Mary Russell and Sherlock Holmes will discover, can be cheap—even when it is made of solid gold.

*****

Even if you missed the live conversation between Laurie R. King and Barbara Peters, owner of The Poisoned Pen, you can still catch it here.

You’ll want to check out the upcoming schedule of The Poisoned Pen’s Virtual Events. Do you know if you can’t catch them live on Facebook when they happen that you can watch them on The Pen’s YouTube Channel at your convenience? It would be great if you subscribed to the channel. https://bit.ly/3fp7I1K

Check the Virtual Events for your favorite authors, and then check the Web Store for signed copies of their books. https://store.poisonedpen.com/

Let’s switch things up a little bit today. John Charles from The Poisoned Pen recently talked with two authors about their current books, Kate Carlisle and Jill Orr. Kate Carlisle’s latest book is The Grim Reader, and Orr’s new one is The Full Scoop. You can order signed copies of the books through the Web Store. https://store.poisonedpen.com/

Instead of a video, today we have a podcast of the event with the two authors. You can listen to the conversation here. https://www.podbean.com/ew/pb-yuvpw-dfce6c

Here are the summaries of the books.

San Francisco book-restoration expert Brooklyn Wainwright was hoping for a fun, relaxing weekend at a local book fair, but a murderer made other plans in the latest in this New York Times bestselling series.

Brooklyn and her new hunky husband, Derek, are excited to be guests at Dharma’s first annual Book Festival. The entire town is involved and Brooklyn’s mom Rebecca is taking charge. In addition to all of her other event related duties, she’s got Brooklyn doing rare book appraisals and is also staging Little Women, the musical to delight the festival goers. If that wasn’t enough, she and Meg—Derek’s mom—will have a booth where they read palms and tarot cards.

Brooklyn couldn’t be prouder of her mom’s do-it-all attitude so when a greedy local businessman who seems intent on destroying Dharma starts harassing Rebecca, Brooklyn is ready to take him down. Rebecca is able to hold her own with the nasty jerk until one of her fellow festival committee members is brutally murdered and the money for the festival seems to have vanished into thin air. 

Things get even more personal when one of Brooklyn’s nearest and dearest is nearly run down in cold blood. Brooklyn and Derek go into attack mode and the pressure is on to catch a spineless killer before they find themselves skipping the festival for a funeral.

Reeling after tragedy hits close to home, young journalist Riley Ellison becomes obsessed with uncovering the secret that led to her grandfather’s murder years before and that just took another life in Tuttle Corner. Her desperate search for answers leads her down a dark path, both personally and professionally, as she struggles with how far she’s willing to go to get answers. Just as she finally discovers the truth, she’s forced to choose between exacting justice and protecting the people she loves most. With pressure coming in from all sides, Riley has to look deep within to decide if she can let go of the past in order to hold on to the future.

Dennis Palumbo, author of the Daniel Rinaldi thrillers, is a writer. But, he is also a licensed psychotherapist whose clients are in the creative fields. Because authors have been writing “Distraction” pieces here for two months, and Dennis will have an upcoming one, he thought readers might be interested in this piece. He gave permission to use the piece, “When Your Only Weapon is Inaction”. It’s an interview that appeared in “Connect” for Writers Guild of America West.

When Your Only Weapon Is Inaction

Writer Dennis Palumbo gives quarantined writers permission and perspective amid COVID-19.

With the COVID-19 pandemic in its third month in the US, Connect spoke to psychotherapist Dennis Palumbo about recurring themes in his therapy practice with writers who are under extended stay-at-home orders and grappling with an entertainment industry on indefinite pause.

For three decades, Palumbo has been a licensed psychotherapist for working writers and others in creative fields. To the therapy setting Palumbo brings his own experience as a sitcom writer, screenwriter, and, more recently, crime novelist (2018’s Head Wounds is the fifth installment in his Daniel Rinaldi series). Palumbo’s non-fiction book Writing from the Inside Out (2000) was an adaptation and expansion of his regular columns for Written By.

You’re both a therapist for other writers and a writer yourself. So how is your writing going?

Dennis Palumbo: I’m a little more desultory because, like anyone else, I feel some of the stress of the uncertainty of this. Plus, you know, dealing with deliveries and putting on my mask and gloves when I go to get the mail. It’s certainly having an effect on my patients. My own writing is going ok. I have patients who are writing up a storm and I have patients who can’t focus for more than ten minutes. Because they’re thinking about the pandemic, and especially if they have young children they’re doing home schooling or trying to keep them entertained. Plus, there’s the omnipresent media. I have patients who just cannot stop watching CNN. As this thing has gone on and on, one of the first things I’m recommending to people is to very much curtail their watching of the news.

It’s a slippery slope between staying informed and getting lost in it all.“One of the problems that is endemic to this situation is, we have an enemy, this virus, and the weapon we use against the enemy is inaction, just sitting in your house. I think that’s very hard on the psyche.”

Palumbo: Check it in the morning and then check it in the evening to make sure there hasn’t been an alien invasion or something. Other than that, I think one of the problems that is endemic to this situation is, we have an enemy, this virus, and the weapon we use against the enemy is inaction, just sitting in your house. I think that’s very hard on the psyche. We have a fight-or-flight mechanism. When someone throws a rock at you, you pick up a rock and throw it back, or else you run away. And we can’t run away, we have to stay in the house, and we can’t fight it. So I think our cortisol levels are always being elevated because we’re in a state where there’s no tool we can use against the virus, other than staying put. I think the body doesn’t like that. The psyche certainly doesn’t like it. So no matter how busy you are, either with your children or with your writing, this sense of impotence contributes to depression and anxiety. And then you add to that, there’s no end date. Most people don’t like uncertainty. One of the real problems with the quarantine is the uncertainty.

So much of anxiety is typically about what you invent in your mind, but COVID-19 is a very real external crisis. How does this affect the tenor and substance of your practice?

Palumbo: It’s sort of like a background hum that’s always there even if you’re not talking about it. The way most therapy sessions go, the first ten minutes the person talks about how they’re dealing with the pandemic, they had a good week, a bad week. But even if we then go into other issues after that, this is always there. People say, “Oh, well, if your patients are writers they’re all used to being alone in a house.” Well, 60% of them write for television, so they’re used to going to rooms, number one. And number two, they still want to be able to go out and have coffee or lunch with a friend. So it’s a palpable thing that invades everyone’s consciousness all the time.

And writers are like antenna. The raw materials of a writer’s life is their feelings and their ideas, and the meanings they give to their feelings and ideas. If it’s permeated by something from the outside, then you’re really going to be sensitive to it. The uncertainty around when the quarantine will end, as well as what life will look like in the future, exacerbates a person’s inclination toward either depression or anxiety. One of the hallmarks of depression is the belief that nothing you do will make you feel any better, and how you’re feeling now is how you’re always going to feel. Because there’s no end in sight, it reinforces those two aspects of depression.

So it’s ok to spend the entire session talking about the pandemic?

Palumbo: That 50 minutes belongs to you. A lot of people worry that their careers are going to get sputtered out and maybe not come back again. It’s the same fears that writers always have in a strike, particularly people who had something that was going. Look at the people whose pilots didn’t get made. You go from the elation of getting a pilot script greenlit to production, to a pandemic hits and no one’s making a pilot.

You mentioned that some of your patients are writing up a storm, and some aren’t. What about the added stress and guilt of, “Oh, I should be writing more right now.”

Palumbo: For many, many years in my practice, almost to a person, every writer says, “Boy if I had the time, I would write my personal novel, or that spec screenplay about Elizabeth the First.” Now they have the time, and nobody’s writing it. It just runs the gamut. There are people, like I said, who are writing up a storm. Some of them have to because they’re working in animation, and animation is rolling right along. But for other people, they’re having a hard time focusing.

I’m a therapist, not a writing coach. Whenever someone has an issue with their writing, whether it’s blocks or procrastination or a story point, to me it’s inexorably bound up in whatever their personal issues are. It’s much more important to look at the underlying issues, the meaning you give it.

What about practical advice in terms of creative work right now?

Palumbo: I do think you should have a structure. You should create a fake structure. The other thing is, and it’s really hard, but to stay in the present. Just do what you need to do on a Wednesday. I think if you start saying, “But I wonder, are we going to be able to leave our homes in September, I wonder if my kid’s school is going to open in September, I wonder when production’s going to start, what if it doesn’t start till January?” All that catastrophizing the future does is create anxiety. And I often suggest to my patients that, your feelings don’t predict the future. You can feel like, oh my god this is never going to end, but that doesn’t mean it’s never going to end. You can feel like, oh this is going to just put a nail in the coffin of my career. That’s a feeling. It predicts nothing. And in my 30 years of practice, I’ve had so many people sit on that couch and tell me, “Well, my career is over.” And two years later they have a show on the air.

None of our feelings predict anything. They’re just data on what it feels like to be us in that moment.

*****

Dennis Palumbo’s books are available through the Web Store. https://bit.ly/2C4TMvz

If you recognize Francesca Serritella’s name, and think, “I know I’ve read something by her,” you’re right. Serritella has written collections of essays with her mother, Lisa Scottoline. Those are titles such as Does This Beach Make Me Look Fat? and I Need a Lifeguard Everywhere but the Pool. Now, Serritella has launched her first novel, Ghosts of Harvard.Copies have sold quickly, so check with the Web Store about signed copies. https://bit.ly/30C2YBS

Here’s the description of Ghosts of Harvard.

A Harvard freshman becomes obsessed with her schizophrenic brother’s suicide. Then she starts hearing voices.

“A rich, intricately plotted thriller . . . Serritella, who is a Harvard grad herself, writes about the campus with an insider’s savvy.”—Maureen Corrigan, The Washington Post

“Every time I thought I knew where Ghosts of Harvard was heading, I turned out to be wrong. Part mystery, part ghost story, part psychological thriller, this novel is all entertainment.”—#1 New York Times bestselling author Jodi Picoult

Cadence Archer arrives on Harvard’s campus desperate to understand why her brother, Eric, a genius who developed paranoid schizophrenia took his own life there the year before. Losing Eric has left a black hole in Cady’s life, and while her decision to follow in her brother’s footsteps threatens to break her family apart, she is haunted by questions of what she might have missed. And there’s only one place to find answers.

As Cady struggles under the enormous pressure at Harvard, she investigates her brother’s final year, armed only with a blue notebook of Eric’s cryptic scribblings. She knew he had been struggling with paranoia, delusions, and illusory enemies—but what tipped him over the edge? Voices fill her head, seemingly belonging to three ghosts who passed through the university in life, or death, and whose voices, dreams, and terrors still echo the halls. Among them is a person whose name has been buried for centuries, and another whose name mankind will never forget.

Does she share Eric’s illness, or is she tapping into something else? Cady doesn’t know how or why these ghosts are contacting her, but as she is drawn deeper into their worlds, she believes they’re moving her closer to the truth about Eric, even as keeping them secret isolates her further. Will listening to these voices lead her to the one voice she craves—her brother’s—or will she follow them down a path to her own destruction?

*****

Barbara Peters, owner of The Poisoned Pen, talks with Francesca Serritella about Ghosts of Harvard. In the course of the interview, they talk about mental illness and suicide, and other aspects of the book. Check it out.

Some of us will be grateful that 2020 is picking up speed. Martin Edwards is already looking forward to September, and he’s discussing upcoming releases. You can find Edwards’ books in the Web Store, and pre-order the September releases. https://bit.ly/2w0viRd

Here’s Edwards’ short biography as it appears on his blog, https://doyouwriteunderyourownname.blogspot.com/.

Martin Edwards is the 2020 recipient of the CWA Diamond Dagger, the highest honour in UK crime writing. His latest novel is Mortmain Hall, a crime novel set in 1930. He has received the CWA Dagger in the Library, awarded by UK librarians for his body of work. He is President of the Detection Club, consultant to the British Library’s Crime Classics, and former Chair of the CWA. His contemporary whodunits include The Coffin Trail, first of seven Lake District Mysteries and shortlisted for the Theakston’s Prize for best crime novel of the year. The Arsenic Labyrinth was shortlisted for Lakeland Book of the Year. The Golden Age of Murder won the Edgar, Agatha, H.R.F. Keating and Macavity awards, while The Story of Classic Crime in 100 Books also won the Macavity and was nominated for four other awards. He has also received the CWA Short Story Dagger, the CWA Margery Allingham Prize, a CWA Red Herring, and the Poirot award “for his outstanding contribution to the crime genre”.

*****

Mortmain Hall, my latest novel, will be published by Poisoned Pen Press in September. The book has just come out in Britain, and I was thrilled by the reaction, with great reviews in The Times and other national newspapers and magazines. I’m keeping my fingers crossed that American readers will be equally enthusiastic!

The book features Rachel Savernake and Jacob Flint, who previously appeared in Gallows Court, but Mortmain Hall definitely stands on its own. It’s a different novel in some ways, with more humour, and it’s very much a love letter to Golden Age detective fiction. I was attracted to the idea of blending thriller elements with a classic whodunit puzzle. I set out to write a country house mystery with a difference, but certainly boasting a denouement in the library, where suspects are gathered together in traditional manner and all is finally revealed.

Authors of Golden Age mysteries should play fair with their readers. The puzzle has to be one that the reader can solve, because all the clues are there in the text. But it’s desirable for the clues to be planted subtly, so that readers aren’t quite sure which elements of the story point the way to the solution. Some of the best Golden Age writers (including John Dickson Carr, Edmund Crispin, and Freeman Wills Crofts) took this idea to its logical conclusion by including “˜Cluefinders’ in their books. These took various forms, but the basic idea was that at the end of the story, there would be references to the earlier pages where the clues were set out in the text.

Most Cluefinders appeared in the late Twenties and early Thirties and as far as I know no whodunit with a Cluefinder has been published for more than half a century. I decided that I would try to write a story that was sufficiently ingenious for a Cluefinder to be worthy of inclusion.

As it turned out, the Cluefinder in Mortmain Hall includes no fewer than thirty-four clues. See how many of them you can spot!

September will be an exciting month, because it also sees the publication by HarperCollins of Howdunit, a masterclass in the art and craft of crime writing by members of the Detection Club. I devoted a good deal of last year to putting this book together and it’s one I’m very excited about.

The book offers invaluable advice to people interested in writing crime fiction, but it also provides a fascinating picture of the way that the best crime writers have honed their skills over the years. Its unique construction and content mean that it will appeal not only to would-be writers but also to a very wide readership of crime fans.

The principal contributors are current members of the legendary Detection Club, of which I have the honour to be President. They include Ian Rankin, Val McDermid, Peter James, Peter Robinson, Ann Cleeves, Andrew Taylor, Elly Griffiths, Sophie Hannah, Stella Duffy, Alexander McCall Smith, John Le Carré and many more.

Interwoven with their contributions are shorter pieces by past Detection Club members ranging from G.K. Chesterton, Dorothy L. Sayers, Agatha Christie and John Dickson Carr to Desmond Bagley and H.R.F. Keating. The book is dedicated to Len Deighton, who is celebrating 50 years as a Detection Club member and has also penned an essay for the book. The contributions are linked by short sections which I’ve written. Certainly, it’s a book that, biased as I am, I think is rather special.

Congratulations to all of the 2020 Anthony Award nominees. They were announced by Bouchercon this week. A special hat tip goes to Poisoned Pen Press author Wendall Thomas whose Drowned Under is a nominee for Best Paperback Original.

Look for the nominees in the Web Store. https://store.poisonedpen.com/

ANTHONY AWARDS

June 8, 2020

SACRAMENTO—Bouchercon, the world mystery convention, is pleased to announce the nominees for its prestigious Anthony Award. Awards voting will take place during Virtual Bouchercon, October 16″“7, 2020, and the awards will be presented as part of an online ceremony on October 17.

2020 ANTHONY AWARD NOMINEES

BEST NOVEL

Your House Will Pay, by Steph Cha (Ecco)

They All Fall Down, by Rachel Howzell Hall (Forge)

Lady in the Lake, by Laura Lippman (William Morrow)

The Murder List, by Hank Phillippi Ryan (Forge)

Miami Midnight, by Alex Segura (Polis Books)

BEST FIRST NOVEL

The Ninja Daughter, by Tori Eldridge (Agora Books)

Miracle Creek, by Angie Kim (Sarah Crichton Books)

One Night Gone, by Tara Laskowski (Graydon House)

Three-Fifths, by John Vercher (Agora Books)

American Spy, by Lauren Wilkinson (Random House)

BEST PAPERBACK ORIGINAL**

The Unrepentant, by E.A. Aymar (Down & Out Books)

Murder Knocks Twice, by Susanna Calkins (Minotaur)

The Pearl Dagger, by L.A. Chandlar (Kensington)

Scot & Soda, by Catriona McPherson (Midnight Ink)

The Alchemist’s Illusion, by Gigi Pandian (Midnight Ink)

Drowned Under, by Wendall Thomas (Poisoned Pen Press)

The Naming Game, by Gabriel Valjan (Winter Goose Press)

BEST CRITICAL NON-FICTION WORK

Hitchcock and the Censors, by John Billheimer (University Press of Kentucky)

The Hooded Gunman: An Illustrated History of the Collins Crime Club, by John Curran (Collins Crime Club)

The Mutual Admiration Society: How Dorothy L. Sayers and her Oxford Circle Remade the World for Women, by Mo Moulton (Basic Books)

The Trial of Lizzie Borden: A True Story, by Cara Robertson (Simon & Schuster)

The Five: The Untold Stories of the Women Killed by Jack the Ripper, by Hallie Rubenhold (Houghton Mifflin Harcourt)

BEST SHORT STORY

“Turistas,” by Hector Acosta (appearing in ¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico)

“Unforgiven,” by Hilary Davidson (appearing in Murder a-Go-Gos: Crime Fiction Inspired by the Music of the Go-Gos)

“The Red Zone,” by Alex Segura (appearing in ¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico)

“Better Days,” by Art Taylor (appearing in Ellery Queen Mystery Magazine, May/June 2019)

“Hard Return,” by Art Taylor (appearing in Crime Travel)

BEST ANTHOLOGY OR COLLECTION

The Eyes of Texas: Private Eyes from the Panhandle to the Piney Woods, edited by Michael Bracken (Down & Out Books)

¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico, edited by Angel Luis Colón (Down & Out Books)

Crime Travel, edited by Barb Goffman (Wildside Press)

Malice Domestic 14: Mystery Most Edible, edited by Verena Rose, Rita Owen, and Shawn Reilly Simmons (Wildside Press)

Murder A-Go-Go’s: Crime Fiction Inspired by the Music of the Go-Gos, edited by Holly West (Down & Out Books)

BEST YOUNG ADULT**

Seven Ways to Get Rid of Harry, by Jen Conley (Down & Out Books)

Catfishing on CatNet, by Naomi Kritzer (Tor Teen)

Killing November, by Adriana Mather (Knopf Books for Young Readers)

Patron Saints of Nothing, by Randy Ribay (Kokila)

The Deceivers, by Kristen Simmons (Tor Teen)

Wild and Crooked, by Leah Thomas (Bloomsbury YA)

** This year, there are two categories with more than five nominees. This is the result of a tie for fifth place. When this occurs, according to Bouchercon standing rules, all of the authors who have tied become nominees. 
Bouchercon, the World Mystery Convention, is a nonprofit, all-volunteer organization that holds an annual convention attended by readers, writers, publishers, editors, agents, booksellers, and other lovers of crime fiction. Its annual Anthony Awards are named for writer and book critic Anthony Boucher and are one of crime fiction’s most prestigious and coveted awards.

Have you “met” Leslie Budewitz, the author of the Spice Shop mysteries? You can order her books through the Web Store, as well as the books Leslie used as “Distractions”. https://store.poisonedpen.com/

Leslie Budewitz blends her passion for food, great mysteries, and the Northwest in two light-hearted mystery series: the Spice Shop Mysteries, set in Seattle, and the Food Lovers’ Village Mysteries, set in northwest Montana. Her books focus on strong women who share her passions, and have a talent for finding trouble!

Leslie was the first author to win Agatha Awards for both fiction and nonfiction. Death al Dente, first in the Food Lovers’ Village Mysteries, won the 2013 Agatha Award for Best First Novel. Her guide for writers, Books, Crooks & Counselors: How to Write Accurately About Criminal Law and Courtroom Procedure, won the 2011 Agatha Award for Best Nonfiction.

A Montana native, Leslie graduated from Seattle University and Notre Dame Law School. After practicing in Seattle for several years—and shopping and eating her way through the Pike Place Market regularly—she returned to Montana, where she still practices law part-time. Killing people—on the page—is more fun.

A true believer in the power of writers helping other writers, Leslie served as president of Sisters in Crime (SinC) in 2015-16, and a founding member of the Guppies, the SinC chapter for new and unpublished writers. She is the Montana representative to the board of the Rocky Mountain chapter of Mystery Writers of America, and is also a member of the Authors of the Flathead and Montana Women Writers.

Leslie loves to cook, eat, hike, travel, garden, and paint—not necessarily in that order. She lives in northwest Montana with her husband, Don Beans, a singer-songwriter and doctor of natural medicine, and their gray Tuxedo, named Squirt but usually called Mr. Kitten. Because what else would you call a 13-year-old, 17-pound killer and cuddler who always dresses in formal attire?

*****

Leslie Budewitz kicks off her piece with the three questions I asked authors.

Are you reading right now? Has your reading changed? What are you reading?

I am always reading, just like I am always writing. Sometimes, that’s simply a description of who I am and how of I navigate our chaotic world; most of the time, it’s specific. Like a lot of writers, I had a WIP (“work in progress”) and a deadline when the pandemic hit. Writing became both battleground, because focus turned tail in the face of outrageous uncertainty, and once I got the balky storyline in hand, comfort. Both cave of terrors, and refuge.

That same dichotomy struck my reading. Focus? What’s that? Ah, a book. I’ll admit, not every title I picked up in March and April got the attention it deserved; some deserve a second go, and they’ll get it—later. Now I can see that the books I stuck with and loved, highly varied as they are, share a common thread: Times are difficult, they seem to say; they always are, but strong people find a way. In difficult times and in good, books help us find the way.

Good first novels are like a tiny box of truffles, a sweet, satisfying promise. My first recommendation is A Dream of Death by Connie Berry, a 2019 Agatha Award nominee for Best First Novel.

Kate Hamilton is a widowed American who travels to Scotland at the request of her late husband’s estranged sister, to visit the family home, now a hotel. Historical crimes mingle with modern, leading to investigation, resolution, and a promise of a brighter future. Kate is a mature sleuth, a smart, kind-hearted woman you’d trust with just about anything and happily walk with along the riverbanks. The sequel is out, and I’m looking forward to it.

I absolutely adored Olive Kitteridge, Elizabeth Strout’s collection of linked short stories about a difficult woman; I read it several times, made my book club read it—not everyone was as enamored as I—and loved the HBO series starring Frances McDormand. So I picked up Olive, Again, the second volume (2019), with some trepidation—actually, I popped the CDs into my car stereo—and loved it at least as much.

We all have our inner Olive, a generous, cranky, unfiltered woman who spends her adult life in a small, coastal Maine town, raises one son, buries two husbands, and pops in and out of others’ lives when they least expect, and most need, it. Happily, Olive doesn’t dominate every story, but when she does, it’s so interesting, and so much fun.

My dear friend Sheila Connolly, who died in April, published 40-some books, and had a special fondness for Ireland. I was behind on her County Cork series, her most popular, so I caught up, starting with the fifth, Cruel Winter (2017), one of those books you hate to finish because it’s so stinking good.

Connolly neatly twists the conventions of the locked-room mystery. Instead of a killing occurring in a closed setting, a group of locals and visitors stranded in Sullivan’s Pub during an unexpected snowstorm finds that one of their number is a woman long suspected of a local murder. Never charged, she’s never gotten a full hearing, until Maura, the young American pub owner, asks the woman to tell her story. The other patrons prove the adage that a jury as a whole is smarter than its individual members; they ask questions, test the evidence, poke holes, analyze motives, and identify the likely killer, who is arrested after the weather clears. Maura takes charge as a strong leading character should in this terrific eight-book series.

*****

Leslie Budewitz’ website is www.lesliebudewitz.com. You can find more about her books, their settings, and recipes at that site. Her next book in the Spice Shop series, The Solace of Bay Leaves, is scheduled for release in October. It’s not too early to pre-order a copy through the Web Store. https://bit.ly/2UpAXt6

Pepper Reece never expected to find solace in bay leaves.

But when her life fell apart at forty and she bought the venerable-but-rundown Spice Shop in Seattle’s Pike Place Market, her days took a tasty turn. Now she’s savoring the prospect of a flavorful fall and a busy holiday cooking season, until danger bubbles to the surface . . .

Between managing her shop, worrying about her staff, and navigating a delicious new relationship, Pepper’s firing on all burners. But when her childhood friend Maddie is shot and gravely wounded, the incident is quickly tied to an unsolved murder that left another close friend a widow.

Convinced that the secret to both crimes lies in the history of a once-beloved building, Pepper uses her local-girl contacts and her talent for asking questions to unearth startling links between the past and present—links that suggest her childhood friend may not have been the Golden Girl she appeared to be. Pepper is forced to face her own regrets and unsavory emotions, if she wants to save Maddie’s life—and her own.