Sue Grafton, RIP

Sue Grafton at the Biltmore

Sue Grafton’s daughter announced her death from cancer on Friday afternoon. Here is the link to the New York Times obituary. https://nyti.ms/2pUlXXF

We’d like to share the Livestream of Sue Grafton’s appearance at The Poisoned Pen when she was touring for Kinsey and Me. https://livestream.com/poisonedpen/kinseyandme/videos/9524006

In the days before Livestream, Barbara Peters did YouTube video interviews called “The Criminal Calendar”. Here’s Part 1 of 6 with Sue Grafton. From YouTube, you can then pick up the other 5 parts, if you’re interested. https://youtu.be/SHUiXAUae34

I can’t think of any greater tribute I can do here than to share the recap I did in December 2009. Barbara Peters, owner of The Poisoned Pen,  and The Poisoned Pen have been supporters of Sue Grafton and Kinsey Millhone from the very beginning. The following is a recap of Barbara Peter’s interview with Sue Grafton. Looking back at it now, there are some poignant comments.

*****

Sue Grafton, Presented by The Poisoned Pen Bookstore

Sue Grafton doesn’t do many speaking engagements on her book tours anymore, so it was a rare opportunity hear her when the Poisoned Pen Bookstore brought her to the Arizona Biltmore on her U is for Undertow tour.

I attended with a friend. When we walked in the door, Sue was working the crowd, so I reintroduced myself, reminding her I had hosted her twice in Florida, and picked her up at the airport. She looked at me, and said, “Kind of a vagabond, aren’t you?” She was just as kind and warm as always, and spent a half an hour going through the audience.

Barbara Peters, owner of the Poisoned Pen, introduced Sue by saying they go way back to the beginning of the bookstore, when she contacted Sue, and asked her to appear at the new bookstore. Sue said, so you’re asking me to change my entire schedule and come to Arizona, and Barbara said, yes. And, she did. Barbara and Sue said they’re aging together.

Sue said her current tour was almost over. She left Louisville, went to New York, back to Louisville, then to Atlanta, Kansas City, and Houston. So, she thought, I’m going to Phoenix, and I can finally get warm. Instead, with our current cold weather, she was huddled in the cold while people here were in their shirtsleeves.

Barbara responded that we’re always lucky to have her in Phoenix, since she spends half her year in Kentucky and half in California. She said she was very grateful that the event was being held at the Biltmore, because most of the time people stand in a conga line, wrapping around the bookstore to get books signed, and it sometimes cold in December, as now. Then, she told Sue the people in shirtsleeves ere from New Jersey, and the ones wrapped up were from Phoenix.

Barbara thanked the Biltmore for partnering with the bookstore for the celebration of the 21st Kinsey Millhone book. She told the audience they are projecting the end of the series for 2020, and Barbara promised she’d be there for that book, even if the bookstore closed, and she had to rent a shed. Then she asked Sue about the people who were “betting against her” when the series started.

Sue acknowledged that she said when she started the alphabet, there were people betting she couldn’t write the entire series. When, she reached M, she said readers were cheering for her to finish. So, when she’s asked what she’s going to do with Z is for Zero, she told us she’s going to hold therapy sessions to help everyone through their separation anxiety, and we’ll all hold hands and hum. She said she’s going to take a long nap, and then party. But, she assured us she’s going to live to 108, so she’d have time for two quick series. They might be about old people, though.

Barbara asked her if she has the manuscript of Z is for Zero in a vault somewhere, in case something strikes her down before the end. The answer was, there’s nothing in a vault anyplace, so we’d better root for her to stay alive. She asked the audience to make a commitment to make it for the next ten years, so we could come back. She told us she was going to make us sign a paper saying we’d be there. Barbara said she hated to tell Sue this, but when an author passes on, people come into the bookstore, and they don’t say, “I’m going to miss Sue.” They say, “What about Kinsey?”

Grafton said it was very cheeky of her to start a series, using the alphabet. She’d never written a mystery before. But, it was a sign she was committed to the future, a way to say, I’m shooting an arrow out, planning an entire series. But, the books are getting harder to write, and she has five to go. Everyone has their own demons, and she’s had to outargue her demons. Every book is a struggle, a challenge. And, if you don’t like one book, big deal. “I did twenty-one you liked.” She said she never lets go, and never cheats with her book. She said she tries to get pity sales, and asked us to just buy one book.

She admitted she thought she’d write five or six books, and get the hang of it, and whiz through to the end. It was a sign she was young.

When asked which decisions she would not have made about the series, Sue responded she would have done everything the same. It’s like life. Haven’t we all done things we’d regret, but we’d live our life over again, with the divorce and the decisions?

She did make a critical decision that Kinsey would not age one year per book. When the series ends, it will be 1990, and Kinsey will turn 40. That’s a good age. We won’t have to watch her go through menopause. Sue assured everyone, though, that Henry Pitts and his siblings will survive. His sister is only 99, and she doesn’t feel bad, so why should she die?

Grafton said she wouldn’t make different choices. In J is for Judgment, she thought it would be fun to have Kinsey investigate herself, and she found cousins and a whole family. Half of the readers loved it, and half were bored. So, she didn’t pick that storyline up again until M is for Malice. In L is for Lawless, Kinsey was stranded, and forced to call her cousin, Tasha. Can you imagine how mortifying that was for her? But, she didn’t know how to resolve the family issues. And, it’s been many years, but finally, after T is for Trespass, she resolved a letter from a reader who said, “If you don’t settle that family business, I’m never buying another book. So, Sue wrote back, and said, whoa, I’ll take care of that. So, in U is for Undertow, she settled the family issues, and that’s enough of the family for now.

Barbara commented that we all know Sue lives in Santa Barbara, although now she spends more time in Louisville. But, she said in Santa Barbara, there’s a long shadow cast by Ross Macdonald. He wrote a long series featuring Lew Archer. He thought a detective should not be visible. Sue said she was originally going to do that with Kinsey, and make her a shadow. But, she said Macdonald was so wrong, but he was an old man. Grafton said readers want a continuing character to have depth, quirks, a history.

Barbara mentioned that in U is for Undertow, the story goes back to the 1960s, a turbulent time. Did she plan that? Grafton replied, “I don’t tell the book what’s going to happen. The book tells me.” It takes a year for her to understand the story.

Sue said she’s told this before, so if we heard it, we could ignore it. She keeps journals of each book on the computer. The whole journal is there, with every trivial thought and idea. She puts her emotional state there on paper. That keeps her from sabotaging her work. She struggles internally. All of her research and everything else is in that journal. If she has an idea for a dialogue that comes later in the book, she puts it in the journal, and when the right part comes, she just inserts the dialogue. Grafton said her journal is boring. There are no treasures in it. Sometimes she makes nasty remarks about other writers, and then erases them because if she gets run over, people won’t think, boy, she was a bitch. She tries to appear much nicer than she is. Sue said 1 out of 30 days her writing is dynamite. The other 29, it’s stupid, but she never knows which day is going to be good, so she has to write every day.

When asked about her research, Sue admitted she’s had to humble herself. She said it’s a real boat on the cover of J is for Judgment. She was interviewing someone about the book, standing there with her notebook, and asked, what’s that part that sticks up. “Well, Sue, that’s called the mast.”

Barbara thought she remembered that Sue went undercover as a chambermaid for one book. Sue said, no, she’s a housewife, so she doesn’t need to do that. (And everyone laughed.) According to Sue, at one time she worked for a friend who ran a home domestic business. Grafton was poor, and had kids, so she cleaned toilets, and cleaned up after people. So she knows how to clean toilet bowls, and has a back-up plan if she ever needs it.

Sue said she believes in Jungian psychology, the ego and the shadow. There’s what you’d like to be seen as. Grafton would like people to see her as cheerful, cooperative, kind, and helpful. Then there’s the real self, the shadow. We put those traits behind us. If you look at people you truly despise, they carry your shadow. We project our shadow on others, and denounce them.

Grafton said when she writes, she has to disconnect the ego, and let the shadow come through. The shadow is right brain; the ego is left. She writes in her journal, and that’s her shadow. She’ll do anything – self-hypnosis or anything, to get a piece that really works. She needs to meet the shadow. Families usually have a black sheep, and they are the shadow in the family. Barbara commented that writers of crime fiction have to have shadows for people to want to read the story. We read crime fiction to get rid of our own shadows. In fact, she was recently editing a book, and told the author to kill a person, to get rid of the shadows.

Barbara mentioned that Sue Grafton has received many honors. She was named a Grand Master by MWA. (And, it was just announced that Dorothy Gilman, author of the Mrs. Pollifax books, will be the 2010 Grand Master.) Sue’s also received the Diamond Dagger, the U.K. equivalent of Grand Master.

Sue said it’s very nice to get the awards and accolades, but her job is not to get stuck on herself. That doesn’t help her write. Reviews don’t help either. If they’re bad, and say her books are crap, how does that help? And, good reviews don’t help either. All of those ceremonies are great, but Grafton said her battle is in the chair. She appreciates the honors, but it doesn’t help if she thinks of herself as “hot shit.”

Barbara told a story of a Diamond Dagger winner who outraged people when he had it made into an earring for his wife. People were upset, saying she had no right to wear it because she didn’t win the Diamond Dagger.

She went on to announce that U is for Undertow will be #1 on the New York Times Bestseller list on Sunday. She’d heard it from Sue’s publicist. They both went on to thank the audience. They said we had to buy books. It’s the reader’s job to buy books, and the author’s job to make it worthwhile.

Then, questions were taken from the audience. How did Sue come up with the name Kinsey? Grafton said she was working in Hollywood, and reading the Hollywood Reporter. She saw a column in which it mentioned a baby named Kinsey. She liked the name, and snatched it. Millhone was probably taken out of the phone book. It has no meaning.

Which comes first, the title, such as V is for…, or the story. The answer was, it varies. When Grafton first started the series, she sketched out crime related words, and used them for A-D. But, she had planned to call E, E is For Ever. She switched it to “Evidence,” and the story just came. For a long time, she thought F would be forgery, but she found it boring. When she made it “Fugitive,” she could hear the story. K was for kidnapping, and she wrote four chapters, and realized kidnapping is a federal crime. No one was going to hire a small-town detective for a kidnapping case, so she dumped it. That was the book that caused her to say to her publicist, I have to have more than a year to write the books. Sue liked Q is for Quarry, with its double meaning. The latest book is U is for Undertow. She admitted she gets out the dictionary, and makes a list of words that might work. There’s no hard and fast rule for the title and plot.

Barbara confessed she had wanted T is for Lipton, and, when Sue came to the bookstore, she brought a box of teabags, with T is for Trespass on them.

With S is for Silence, there was a switch in time, and multiple points of view. With T is for Trespass, Sue said sometimes the content dictates the form. When Solana Rojas, the villain, took over, she had to tell that story from her point of view. Grafton said she doesn’t make it up in advance, but she can’t imagine telling a story from Henry or Rose’s point of view. People might like it just because they’d like to see Kinsey from another point of view.

Grafton mugged to the audience, saying she’s taking heavy mediation, and has a live-in therapist, trying to keep things fresh. How does she do it? “I only have five more times, baby!” She said it helps to see readers, and converse with us. She also said the journals help. It helps to look back, and see her previous battles.

She said her tour was done on Thursday. Then she does Christmas, since we all have to do Christmas. And, in January, she has to do battle again. She runs 5.4 miles a day, five days a week, to deal with her stress.

Barbara mentioned that Grafton has had the same editor, Marian, for the entire series. “How would you feel writing without her as an editor?” The answer was scared. Sue said she’s had the same agent since B is for Burglar. She said Steve, her husband, is her first reader of her manuscript, but he doesn’t get to see it until it’s done, because she has to write the entire book. Then, if he says it’s OK, she’ll send it to Marian and Molly. Then, she waits to hear what they thin.

The final question involved another format, the audio, and why didn’t Judy Kaye do the most recent one. Sue replied that Judy Kaye does all of her audios for Random House. She said Books-on-Tape may have another narrator, but, otherwise, if it’s not Judy Kaye on the audio, it might be a pirated version.

Barbara ended by asking Sue to tell us about her train project. Sue said her husband, Steve, had this wonderful idea to get a private train car, and take it at the end of her tour. So, there were three couples, and the plan was to get on the train at the end of the T is for Trespass tour. They were going to go from Louisville, up to Cincinnati, and then to Chicago, and across North America. They had their pjs, and train movies, and a private chef, and they were all set for a romantic trip. But, it started to snow, and unbeknownst to them, the snow was packing up under the train. And, over time, because of that, one toilet after another, and the showers, began to break down. So, it was a romantic idea until the toilets and showers broke down. They had to fly home. Sue said it was the best half day ever on a train.

*****

Rest in peace, Sue Grafton. You brought us all so much pleasure.

 

 

James Rollins in The NYTimes

Sometimes, it’s just appropriate to link to an interview. James Rollins, author of The Demon Crown, was the subject of a recent By the Book interview in The New York Times. Check out his confession about what he hasn’t read. https://nyti.ms/2pMeKsx

Then, if the interview intrigues you, come back and check the Web Store for James Rollins’ books. We still have signed copies of The Demon Crownhttps://bit.ly/2C3xA47

Demon Crown

Jeffrey Siger’s An Aegean April

If you are in the Phoenix area on Thursday, January 4, you might want to be at the Poisoned Pen at 7 PM.  Jeffrey Siger will be there to discuss and sign his latest Chief Inspector Andreas Kaldis mystery, An Aegean April. On January 2nd Poisoned Pen Press launches Chief Inspector Andreas Kaldis’ ninth mystery-thriller, An Aegean April, (“ripped from the headlines…a winner”—Publishers Weekly, “Brimming with suspense and a distinct sense of place”—Kirkus Reviews).

Aegean April

Here’s what Jeffrey Siger had to say in his recent newsletter.

I’m particularly proud of this newest Kaldis mystery-thriller, for it takes a highly complex set of circumstances, makes it comprehensible, and shows us why it matters, by bringing to life the many human elements comprising an ongoing tragedy far too often summarily put out of mind by the phrase, “Refugee Crisis.” An Aegean April puts a face to the moneymakers, traffickers, fearful families, NGO activists, local islanders, politicians, press, and cops caught up in a crime story that is a natural byproduct of what has emerged as a seminal test of our claim to humanity.

It all begins one evening on the eastern Aegean Greek island of Lesvos, close by Turkey, when the patriarch of a prominent shipping family, with a plan for shutting down the lucrative refugee trafficking pipeline between Turkey and Lesvos, is struck down in his own garden by a swishing sword.

When a refugee-turned-NGO-aid-worker is found at the scene, splattered with the victim’s blood, he’s immediately arrested by the local police, but his NGO boss convinces Chief Inspector Andreas Kaldis to take over the investigation, and we’re off on a nail-biting ride through Byzantine island politics, deteriorating diplomatic relations, and a world on fire amid the intrigues and brutality of a cool, resourceful, ruthlessly villainous narcissist, who keeps you in fearful suspense until the very end.

As described by the Greek press, “An Aegean April zeroes in on today’s Greece, at the heart of the refugee crisis, and takes no prisoners. Jeff is so adept at capturing the plight of Greece and its crises, while at the same time, showing his love for his adopted country. This book will make you rethink what you know about the refugee crisis and its accompanying players. Jeff knocks it out of the park once again.”—Windy City Greek.

*****

Hopefully, you can be there on January 4 when Jeffrey Siger is Joined by Thomas Perry who will be signing The Bomb Maker. If you can’t make it, you can order signed copies through the Web Store. https://store.poisonedpen.com

Sulari Gentill’s Favorites of 2017

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If you don’t know Sulari Gentill, go back and read an interview I did with her on June 1, 2016. https://bit.ly/1Vw5ZL2

Here was Sulari’s introduction.

“I’m Australian though I was born in Sri Lanka.  My family emigrated when I was still a baby, and we embarked on what seemed like a trek around the planet.  I started school and learned to speak English in Zambia, and we arrived in Australia when I was six.  That’s longer ago than I care to admit.  For the most part I grew up in Brisbane, at a time when it was still really an overgrown country town.  I attended my local school, built club houses in the mulberry trees by the Brisbane River and plotted world domination with my friends.

In time, I set off to University to study Astrophysics and somehow came out with a law degree.  I was duly admitted as a barrister and solicitor to the High Court of Australia and embarked on a career in the corporate sector.  Whilst practicing law can be creative, they don’t really like you to just make things up…or admit to it anyway.  Writing seemed liked a better way to indulge my fondness for fabrication.

Nowadays I live on a small truffle farm in the foothills of the Snowy Mountains with my husband, Michael, and our sons—two wild and fearless boys whose plans for world domination are more advanced than mine ever were!”

*****

Sulari’s fourth Rowland Sinclair historical mystery, Paving the New Road, will be out January 2. Set in 1933, Australia is dealing with Communists, Socialists and the rise of Fascists. Now, Rowland is sent to Munich in these pre-war years. You can read the entire description of the novel in the Web Store. https://bit.ly/2DdMLE1

Paving the New Road

You can read more about Sulari Gentill on her website, https://www.sularigentill.com

What crime novels did Sulari Gentill select as her favorites read in 2017? Here are her choices. Look for them in the Web Store. https://store.poisonedpen.com

*****

2017 was a little more insane than usual, with multiple book releases, a stage play, and all the touring that goes with such endeavours, in addition to the demands of my two wild colonial boys, several animals and a trufferie.  It’s amazing I managed to read anything aside from itineraries and flight schedules!  But of course I did.  And luckily, I haven’t yet got round to finding a place on the bookshelf for the books I acquired and read this year so I can just go through the stack still by my bed (you may have noticed that housework was not on that list of demands upon my time).  Even so, coming up with my three favourites is difficult.  I find it really hard to rank books these days, to say one is better than another.  I tend to leave that sort of thing for more objective minds.  I chose these by which book I found myself caressing longest as I went through the stack, which books felt most like old friends.

Resurrection Bay

Resurrection Bay

Resurrection Bay is Australian crime writer, Emma Viskic’s extraordinary, multi award winning debut novel—a brilliant amalgamation of action and suspense told through the eyes and hearts of deeply engaging and diverse characters.  The novel opens with a dead body cradled in the arms of her protagonist, profoundly deaf Caleb Zelic.  Viskic remakes the conventions of crime fiction to produce a dark modern noir novel that is fresh, and vibrant, and very deserving of all the accolades it has received thus far.

The Word is Murder

The Word is Murder

I shared an online interview featuring crime writers who write metafiction with Anthony Horowitz earlier this year, and so was introduced to The Word is Murder.  I have long been a fan of Foyle’s War (of which Anthony is the writer), so I was particularly intrigued by this novel, a departure from his previous work which operates under a brilliant conceit.  Horowitz essentially writes himself, as himself, into his own book in which a writer, called Anthony Horowitz, busy working on a successful television series, called Foyle’s War, is approached by a detective who asks him to write a book about the bizarre and complex murder on which he is working.  It is an elegant written, postmodern novel in which the author is both character and storyteller, and I loved it.

Bound by Mystery – Poisoned Pen Anthology

Bound by Mystery

Although I am, relatively speaking, a newcomer to Poisoned Pen Press I had the very great honour of being a part of Bound by Mystery ““ an anthology of Poisoned Pen Press authors edited by Diane DiBiase.  Reading the contributions of my stablemates at PPP was a little like being introduced to each in turn.  And it was delightful.  The anthology embraced the spectrum of mysteries from hard boiled to cosy to the slightly off beat.  Each story was not only an introduction to a novelist but preceded by a few words on how they came to the Press.  It allowed me to dip into the distinct voices of my US colleagues before following those voices into their other works.

*****

Thank you, Sulari. Don’t forget to check out her books, and her choices, in the Web Store.

A Favorites Recap

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In the last couple weeks, we’ve been hosting authors who told us what crime novels they enjoyed most in 2017. They didn’t have to be books published in 2017. Some came out this year. Others are older. And, a few will give you sneak peeks at books in 2018.

Here’s the link to the Web Store if any the titles catch your attention. https://store.poisonedpen.com

Who will you see over there?

Thomas Perry kicked us off on December 5. These other authors followed.

Dana Stabenow
Clea Simon
Joe Ide
Lori Rader-Day
Jeffrey Siger
Deanna Raybourn
Catriona McPherson
Terry Shames
Dean James
Nick Petrie

We’re taking a short break over Christmas because most people won’t be reading a bookstore’s blog. But, if you see a favorite author on this list, I hope you check out their recommendations. And, there will be more authors chiming in after Christmas.

The Poisoned Pen will be closed on December 25 for the Christmas holiday. I’ll be back here on December 26 with another author’s picks.

Hot Book of the Week – Thomas Perry’s The Bomb Maker

The Hot Book of the Week is by an author who will be at The Poisoned Pen in January, Thomas Perry. He and Jeffrey Siger will appear at the bookstore Thursday, January 4 at 7 PM. Perry will discuss and sign his new book, The Bomb Maker. You can pre-order a signed copy through the Web Store. https://bit.ly/2BMePyD

Bomb Maker

Here’s the description of the Hot Book of the Week.

A bomb is more than a weapon. A bomb is an expression of the bomber’s predictions of human behavior—a performance designed to fool you into making one fatally wrong move. InThe Bomb Maker, Thomas Perry introduces us to the dark corners of a mind intent on transforming a simple machine into an act of murder—and to those committed to preventing that outcome at any cost.

A threat is called into the LAPD Bomb Squad and when tragedy ensues, the fragmented unit turns to Dick Stahl, a former Bomb Squad commander who now operates his own private security company. Just returned from a tough job in Mexico, Stahl is at first reluctant to accept the offer, but his sense of duty to the technicians he trained is too strong to turn it down. On his first day back at the head of the squad, Stahl’s three-person team is dispatched to a suspected car bomb. And it quickly becomes clear to him that they are dealing with an unusual mastermind—one whose intended target seems to be the Bomb Squad itself.

As the shadowy organization sponsoring this campaign of violence puts increasing pressure on the bomb maker, and Stahl becomes dangerously entangled with a member of his own team, the fuse on this high-stakes plot only burns faster.The Bomb Maker is Thomas Perry’s biggest, most unstoppable thriller yet.

*****

On December 5, Thomas Perry kicked off the recent blog feature about authors’ favorite crime novels read in 2017.

thomas-perry

If you missed his post, you can find his picks here. https://bit.ly/2A7Fwk1

Nick Petrie’s Favorites of 2017

Nick Petrie

“Lots of characters get compared to my own Jack Reacher, but Petrie’s Peter Ash is the real deal…The writing is terse and tense, full of wisdom and insight, and the plot is irresistible.” — Lee Child, New York Times-bestselling author of Night School

When you read that quote, you understand why Nick Petrie made the selections he did for his favorite crime novels read in 2017. They’re all hard-hitting novels.

Nick Petrie received his MFA in fiction from the University of Washington and won a Hopwood Award for short fiction while an undergraduate at the University of Michigan. His first novel, The Drifter, was nominated for the Edgar and the Hammett Prize for Best Novel., and won the International Thriller Writer (ITW) and Barry awards for Best First Novel. Petrie’s third novel in the Peter Ash series, Light It Up, is scheduled for release on January 16. His web site is https://nickpetrie.com/

Light It Up

You can meet Nick Petrie at The Poisoned Pen on Monday, January 15 at 7 PM, and he can sign your copies of Light It Up and other Peter Ash novels. Hank Phillippi Ryan will host the program, and Petrie will be joined by Andrew Grant. If you can’t be at The Poisoned Pen that night, you can order copies of Petrie’s books through the Web Store. https://bit.ly/2ktYXtr

Now, are you curious as to what books Petrie selected as his favorite crime novels read in 2017? If any of his choices interest you, you can order them through the Web Store. https://store.poisonedpen.com/

Thank you, Nick.

*****

I can’t possibly write about the three best books I read in 2017, because there are so many good ones to choose from.  Instead I’ll share three books that have really stuck with me this year.
Where It Hurts, by Reed Farrel Coleman, really stands out. Gus Murphy, the novel’s protagonist, is an ex-cop turned night-shift hotel limo-driver, a walking bruise who can’t stop poking at the wreckage of his life and family.  The character’s inner pain is so deep, it takes everything he can muster to make it through the day. This has the potential for a grim read, but in Coleman’s hands, Gus Murphy is vividly self-aware and darkly funny ““ a sad, wonderful, damaged hero.  The rest of his characters, even the most minor, are just as beautifully rendered.  

Where It Hurts

It’s also a book you don’t want to put down.  Without seeming to hurry, Where it Hurts clips right along.  I won’t give away details ““ the book is too lovely to spoil ““ but the twists and turns are only matched by the lyrical, tough-guy prose. Coleman started out as a poet, and his attention to language is exquisite.

I also love writers who use setting as a character. This book paints a living picture of Long Island, but not the Long Island of the high-dollar Hamptons. This is hungry, desperate, working-class Long Island, with fading businesses and small-time mobsters. I’ve never been there, but after reading this novel, I feel like I could give a bus tour of the place.

The best news is that Where It Hurts has a sequel, What You Break, and Coleman also has a deep backlist with multiple series to dive into.  

I opened Danny Gardner’s debut novel, A Negro and an Ofay, after a long night at a writer’s conference. I intended only to read a few paragraphs, then get some shuteye before an early-morning author panel. Instead I stayed up until two a.m., captured by the cadence of Gardner’s dialog and the world he was building in my head.

Negro and an Ofay

A Negro and an Ofay is set in Chicago in 1952. Elliot Caprice is a mixed-race disgraced Chicago cop, on the run from his former co-workers. He returns home to find the uncle who raised him sick in a flophouse and the family farm in foreclosure. To make things right, Elliot takes a job as a process server, and soon finds himself caught between the Chicago police, a wealthy North Shore family, and the Syndicate.

Gardner’s hero is similarly stuck between white and black Chicago ““ as the title makes clear, this story is all about race in America, with a front-row seat to life as a black man in the era of Jim Crow and red-lining. The book is not a polemic, but a fast-moving hard-boiled detective story, often hilarious and quite moving. Gardner’s characters are delightfully human even as he plays games with stereotypes.  Elliot Caprice is a complex, thoughtful hero with plenty of attitude, a charming and clear-eyed guide to his world.  

Gardner’s voice in this book, especially the dialogue, is a real treat.  He writes with an unapologetically chewy dialect, but it works strongly in the novel’s favor, because that voice immerses the reader in a time and place and culture that is rarely seen. And once you’ve fallen into that world, the language seems utterly natural.  

Although Gardner is anything but heavy-handed, his historical perspective on race can’t help but cast further light on our own times.

When I ask other crime writers about books they love, Winter’s Bone, by Daniel Woodrell, comes up again and again. When I first read it several years ago, I sucked it down in a single sitting.  When I read it again this year, I made myself portion it out slowly, to savor every bit.

Winter's Bone

Sixteen-year-old Ree Dolly is desperately poor in the Ozarks, responsible for her two younger siblings and her crazy mother. Her father, arrested for cooking crank, has put the family house up for his bond, then vanished. Ree must find her father ““ or proof of his death ““ to keep the bondsman from taking the family home. Her path leads directly to her extended family, criminals all.  

Ree Dolly is a wonderful heroine, at once tough and vulnerable, resourceful and desperate to salvage some kind of life for those under her care. The members of Ree’s extended family, in all their violence and dysfunction and weirdness, are instantly recognizable.  The winter Ozarks setting is so evocative that you feel the cold wind even when reading on a hot August day.  

Woodrell’s language, however, is what truly sets this book apart. At first it’s almost startling, because Woodrell does so much with so little, and in such unexpected ways. But you quickly tune into his wavelength and fall inside this gorgeous, harrowing tale.

Because of that beauty and heartbreak, Winter’s Bone is a book I will read again and again.

*****

Nick Petrie’s selections, and his own books, can be found in the Web Store. https://store.poisonedpen.com/