Karin Slaughter, Livestream

Karin Slaughter is currently on tour for her latest Will Trent book, The Kept Woman.

Kept Woman

If you missed her appearance at The Poisoned Pen, you can see her interview with Barbara Peters, owner of The Poisoned Pen, via Livestream. https://livestream.com/poisonedpen/events/6376462

If you want a little more of Karin’s humor, check out the interview with her, “Karin Slaughter, In the Hot Seat”. https://bit.ly/2cNFvXE

And, of course, you can get signed copies of The Kept Woman through the Web Store. https://bit.ly/2d7mR9g

Coel & Krueger at The Poisoned Pen

Now there’s a duo to make the reader of western mysteries very happy, Margaret Coel and William Kent Krueger. They appeared together at The Poisoned Pen to talk about their latest books.

As I mentioned a few days ago, Winter’s Child is the last of Margaret Coel’s Wind River mysteries. And, in Manitou River by Krueger, the  new Cork O’Connor thriller, the lives of hundreds of innocent people are at stake when Cork vanishes just days before his daughter’s wedding. You can hear the authors talk about their books through our Livestream, as Barbara Peters, owner of The Poisoned Pen, interviews them. https://livestream.com/poisonedpen/events/6210794

Before (or after) you see the Livestream, check out the photos from the event.

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Left to right – Margaret Coel, Barbara Peters, William Kent Krueger
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The interview

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The book signing line

If you would like signed signed copies of Winter’s Child or Manitou Canyon, they’re available through the Web Store.  https://store.poisonedpen.com/

 

Craig Johnson at The Poisoned Pen

Craig Johnson is on tour for the latest Longmire mystery, An Obvious Fact.

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There are fun pictures from the event at The Poisoned Pen, hosted by bookstore owner Barbara Peters. But, to really hear Craig’s storytelling, you must watch the Livestream event. https://livestream.com/poisonedpen/events/6210777  His humor just doesn’t come through in the photos. I hope you take time to watch Craig and Barbara.

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Craig and his wife, Judy, in the back room before the event
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The audience waits
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Barbara Peters waits
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Craig’s Entrance
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Craig and Barbara

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The Storyteller

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Do you want a signed copy of An Obvious Fact? You can get it through the Web Store. https://bit.ly/2cXZ8sO

(And, you really should watch the Livestream event.)

Michael A. Kahn & Zombies

Michael A. Kahn’s latest Rachel Gold novel, The Dead Hand, is now available through the Web Store. You can order a signed copy. https://bit.ly/2crVqYL It has a fascinating premise.

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Here’s the description as it appears on our website. “Dead hand” is the English translation of the Latin term “mortmain,” which the law dictionary defines as “the influence of the past regarded as controlling the present.” For Rachel Gold, a more accurate term would be “zombies.” In particular, the wealthy zombies who seek to control the living—and especially their families—from the grave through legal documents prepared before they died.

In The Dead Hand, Rachel represents two women—one a widow, one a divorcee—in a pair of nasty zombie lawsuits, the outcome of each of which hinges upon a clause in a dead man’s document.

Rachel’s client Cyndi Mulligan is the young trophy widow of the late Bert Mulligan, a billionaire entrepreneur whose last will and testament left his estate to Cyndi’s daughter. The challenge comes from Bert’s angry first wife and her angrier only son. Their claim: Cyndi’s daughter—born eleven months after Bert’s death—cannot possibly be Bert’s child.

Rachel’s other client is Marsha Knight, the ex-wife of the wealthy founder of a women’s lingerie manufacturer. She’s been sued by his widow, who seeks to invalidate Marsha’s divorce settlement and, in the process, impoverish her through invocation of the ancient and nearly inscrutable Rule against Perpetuities.

As the trial date approaches in each lawsuit, the threats to Rachel and her two clients begin to escalate. Zombies, as Rachel discovers, are hard to kill, and so are their lawsuits.

*****

Better yet, Kahn wrote a piece about “zombies” for Crimespree magazine. It’s shared here, with permission.

The Law of Zombies

By Michael A. Kahn

Zombies had grabbed the attention of lawyers and judges centuries before The Walking Dead premiered on AMC. I refer to a special species of zombies—the ones introduced in Chapter 7 of my newest Rachel Gold mystery, The Dead Hand:

Their lawyers call them “high net-worth individuals prepared to shoulder the responsibility for providing wealth for future generations and essential funding for important causes even after they are no longer with us.”

Benny calls them zombies.

And since zombies are already dead, they’re hard to kill.

Let me explain:

As a lawyer by day, I try to feature one curious legal concept in each of my novels. Past examples include the Dead Man’s Statute (a quirky rule of evidence) and the Qui Tam Action (a nasty species of lawsuit with roots in medieval England.

In a delusional moment as I pondered the plot of what became The Dead Hand, I decided to hinge the tale on an arcane law known as the Rule against Perpetuities. As with other zombie laws, the Rule seeks to limit the ability of dead people to control property and people (especially heirs) from the grave via various legal documents created while they were alive.

The key adjective there is “arcane.” As Rachel Gold explains:

The Rule against Perpetuities.

You first hear of it in your Property class as a One L. You try to master it in your bar review course after graduation. You forget it after you sit for the bar exam. And if you’re like most lawyers, you never think of it again. Ever.

I was one of those lawyers. For three decades of my career, the Rule against Perpetuities was just a distant, blurry, unpleasant memory. Thus when I decided to feature it in The Dead Hand, my first challenge was to figure it out.

Easier said than done. Although the Rule is just one sentence long, lurking beneath those thirty words are so many lethal trapdoors that some courts have held that an attorney who drafts a conveyance that violates the Rule against Perpetuities cannot be found guilty of malpractice.

So I arranged lunch with a friend of mine who is a trust-and-estates lawyer. After we gave the waiter our orders, I told him why I’d asked him to lunch.

He stared, eyes wide. “Are you serious?”

I assured him I was.

“Good grief.”

He leaned back in his chair, stared down at the table, and shook his head. But then he looked up with a smile. “Well, you won’t be the first.”

“Really?”

“You ever see the movie “˜Body Heat’?”

“Sure.”

He chuckled. “I admit that only a trust-and-estates nerd would catch that plot twist. While the rest of you were salivating over Kathleen Turner’s body, we were geeking out over the will she’d forged, which was declared void for violating the Rule against Perpetuities, meaning she would inherit everything.”

Over the next hour, he tried to explain the Rule to me.

“The key phrase in Rule,” he said, “is “˜a life in being.’ Whatever grant you make in the will or document, the Rule says that it has to vest within 21 years of the death of some specified person who was alive at the time of the creation of the document. If not, the grant is void.”

Sounds simple, albeit a little odd. But the problem is that the Rule deals with unknown future events. It asks whether there is a possibility, no matter how remote, that the interest will fail to vest before that 21-year period expires. If so, the grant fails entirely.

As a result, any attempt to apply the Rule leads you down a rabbit hole of what-ifs and hypotheticals. Infamous examples from Property Law textbooks include the Case of the Unborn Widow, the Case of the Precocious Toddler, and the Case of the Bottomless Gravel Pit. Each violates the Rule in a manner you could never imagine—and that I still didn’t grasp as lunch ended.

Nevertheless, I was convinced that I’d found my quirky plot driver. As I drove back to the office, memories from my first-year Property class began returning. What was that hypothetical our professor used? Not the Case of the Unborn Widow. Hmmm . .  oh, yeah! The Case of the Fertile Octogenarian.

And that very night I opened a new document on my computer, leaned forward with a smile, and typed at the top of the first page “Chapter One.”

Margaret Coel’s Last Wind River Mystery

Margaret Coel recently announced Winter’s Child would be her last Wind River mystery. Here’s the announcement from her newsletter.

Dear Readers
Winter's ChildThe FINAL novel in my Wind River series, Winter’s Child, arrives on September 6! Yes, you read that right. After twenty novels, I decided it was time to bring the mysterious adventures on the Wind River Reservation with Vicky Holden and Father John O’Malley to a close. Or, rather, allow them to close out their own stories. Will I miss these two people (I think of them as real people, not characters)? Oh, definitely. Will I miss all the other people, like the Bishop and Elena, the elders, even some of the villains? I know I will. How could I not, when I have spent so much time with them? It is like waving goodbye to friends on the train as the train pulls away from the station and leaves me standing there, sad but grateful that, for a time, all these fascinating people had graced my life.

But….there is still Winter’s Child, Vicky and Father John’s last adventure in crime solving. Let me tell you a little about it. When an Arapaho couple set out to adopt the white child left on their doorstep as an infant, they turn to Clint Hopkins, a well known adoption lawyer, and Clint insists upon bringing Arapaho attorney Vicky Holden into the case. But before they can meet, a black truck appears out of a blizzard and runs Clint down.

Vicky and Father John find themselves drawn into the mystery surrounding a white child growing up Arapaho. Where did she come from? Who had left her on a doorstep? What secrets did Clint Hopkins uncover that had gotten him killed?

Then Father John’s niece, Shannon O’Malley, arrives at St. Francis Mission to research the 19th century captivity story of Lizzie Brokenhorn, the white woman who had spent her life as an Arapaho, and soon Father John begins to suspect that the lives of two white girls, separated by more than a century, may be connected.

As he and Vicky edge closer to the secrets hidden in the past, they find they have moved into the sights of a killer—a killer willing to kill again to make certain the secrets remain hidden.

I hope you will enjoy this final mystery on the Wind River Reservation as much as I enjoyed writing it. Certainly, at the end of this long series, changes are about to occur. But how do those changes affect the deep and lasting devotion that Vicky and Father John have for each other? For the answer to that mystery, dear reader, you will have to read Winter’s Child.

Margaret Coel

Margaret Coel

*****

You can order signed copies of this final book, Winter’s Child, through the Web Store. https://bit.ly/2d21QQT

Karin Slaughter, In the Hot Seat

Karin Slaughter

Karin Slaughter appears at the Poisoned Pen at 2 PM on Sunday, Sept. 25 on her book tour for her latest crime novel, The Kept Woman. Fortunately for those of us who won’t be able to make it, she took time to sit In the Hot Seat and answer questions. Thank you, Karin.

Karin, you’re so well-known. I’m sure you’ve had all kinds of introductions. How would you introduce yourself?

“Wow, it’s just starting that someone so young has written so many books!”

Will Trent is the lead character in your latest novel, The Kept Woman. Would you introduce him?

Knowing him so well, I’d think that he wouldn’t want to be introduced. If it was a social situation, I wouldn’t say he’s a cop because people act weird when they find out people are cops. I’d just say he’s a friend and hands off ladies because he’s taken.

Please summarize The Kept Woman without spoilers.

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Like all Will Trent books, it starts out with  him being really, really happy…and then something horrible happens.

Although this is part of a series, you’ve said people can start here. What makes The Kept Woman a good starting point?

After Unseen (the last Will Trent novel) I was at a reset point with the characters and relationships, and I think that what you find in The Kept Woman is a new beginning, not least of all because Sara has a new job and everyone is trying to figure out where they belong in the story.

Why do you write mysteries and thrillers?

I honestly just think of myself as a writer. This isn’t to say that I don’t adore mysteries and thrillers, but that’s kind of a category. Gone With the Wind has a violent murder. Gone Girl is a classic thriller. When enough people who think they are really smart like a thriller, they call it fiction. Me, I just like a good story where something happens.

Other than author, what’s the most interesting job you’ve ever had?

I was an exterminator, but the company was actually a drug front, which it took me about a year to realize. I was very naïve!

Neil Gaiman said, “Trust your obsession.” Did you ever have an obsession that you had to turn into a story? What was it?

Pretty Girls, my last novel, came to me in a dream. I was taking medication for my back, and anyone who knows me will tell you I am not much of a drinker or drug-taker (I’ve never even smoked a cigarette) so the narcotics for the pain gave me these incredibly vivid dreams, and one of them was the opening for Pretty Girls. I was actually in the middle of writing a different book and I became so obsessed with the story that I had to put that one on hold. Oh, and also with The Kept Woman I guess I am obsessed with these jocks who keep getting away with raping women. Or maybe it’s not “obsessed” so much as disgusted, and it keeps happening again and again so my disgust seems to have an ever-renewable resource.

Since I’m a librarian, would you tell us about your passion for libraries?

I would say first: thank you for your service! What you do is very important, especially to folks like me. Every author I know got their start in the library. As for me, I didn’t come from a reading family, so the library was amazing for me. Also, it was a place where women were positive role models. I lived in a town where little girls were told they could be a teacher until they got married, then they would be a mother. The librarians were the boss of the library! How cool is that?

What’s on your TBR pile?

I have just started Blood in the Water by Heather Ann Thompson. It’s about the Attica prison riot, and the parallels to what is currently happening in privately run prisons is both startling and terrifying.

Thank you, Karin. As I said, Karin will appear at the Poisoned Pen on Sunday, Sept 25 at 2 PM. You can order signed copies of The Kept Woman through the Web Store. https://bit.ly/2bCxTW9

Bruce DeSilva & Reed Farrel Coleman

Bruce DeSilva, author of The Dread Line, and Reed Farrel Coleman, author of Robert B. Parker’s Debt to Pay, recently appeared at The Poisoned Pen.

If the smiles on their faces are any indication, Arizona Republic reporter Robert Anglin, who interviewed them, had some interesting questions.

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Left to right – Robert Anglin, Bruce DeSilva, Reed Farrel Coleman

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Coleman & DeSilva prepared to sign books

Why just check out the photos? You can also see the entire program through our Livestream link. https://livestream.com/poisonedpen/events/6210711

And, you can buy signed copies of DeSilva’s The Dread Line and Coleman’s Robert B. Parker’s Debt to Pay through the Web Store. https://store.poisonedpen.com/

Craig Johnson, An Obvious Fact Signing

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Craig Johnson will be at The Poisoned Pen at 7 PM on Wednesday, September 21 to discuss and sign his latest Longmire mystery, An Obvious Fact. If you miss this event, you’ll be missing one of the best oral storytellers in the mystery field. (I’m sorry I can’t be there.)

What better way to introduce Craig’s new book that a note in this week’s e-newsletter from Barbara Peters, owner of The Poisoned Pen?

Craig Johnson – An Obvious Fact – Viking ($28.00)

Hello,

This is Barbara, just back from 32 days on the Crystal Northwest Passage Cruise. When we weren’t looking (vainly) for ice or for polar bears (some luck) I was reading fall books. The one that kept me riveted, and not just laughing but reading bits aloud to passing passengers, was Craig Johnson’s robust, ribald, hilarious
An Obvious Fact.

I write in part to announce that we’ve created a special collectible to go with our copies of An Obvious Fact on Craig’s instructions: a ticket to Henry’s ride.

You longtime fans know Craig has developed many strands in the Longmire series, one of them mystical, but here he’s right down to earth… well nearly since Henry Standing Bear moves front and center as part of his past (Lola!) catches up during his grueling attempt to conquer the Jackpine Gypsies Hill Climb during the Sturgis (ND) Motorcycle Rally, established 1936. It’s a gravity defying event.

If you think this is fiction, read about it here.

And this brings Walt to town. And Vic, who unveils killer driving skills of her own. I laughed so hard reading some of her escapades I nearly choked. Plus Walt gets to drive the ultimate Hummer! Those are just a few of the highlights in this glorious story that you can read if you’ve never read a Longmire up to now. You’ll love the local law as well. As for Lola…make up your own mind.

In short, there’s something for everyone here. I can’t say I’ve any experience with, or even interest in, motorcycle rallies (it’s Craig’s gift to have made me care), but really that’s the hook,not the meat, of the book.

Don’t miss a fabulous, funny evening with Craig. I’ll be hanging on for the ride.

Thank you for supporting our author events and The Poisoned Pen

————————————————————————————————-

Poisoned Pen Review:

What fun, a Walt Longmire salted with Sherlock Holmes as read to him by Henry Standing Bear! We are creating some collectible to be inserted into our copies; but I am not sure yet what it is. Here’s an on-line review: In Johnson’s thrilling 12th Walt Longmire mystery, the Wyoming lawman and his longtime friend and sidekick, Henry Standing Bear, look into the circumstances that led 22-year-old Bodaway Torres, now in a coma, to run his motorcycle off the road during the country’s largest annual motorcycle rally, held in Sturgis, South Dakota. Much to Walt’s surprise, Bodaway’s mother turns out to be “the” Lola, namesake of not only Henry’s beloved car but also Walt’s infant granddaughter-and there’s a history between Henry and Lola that’s anything but pleasant. When it becomes clear that Bodaway’s crash was no accident and that ATF has its eye on the victim-was he running guns, or even drugs?-Walt is glad when his undersheriff, the always fiery Victoria Moretti, shows up, fresh off investigating her brother’s murder in Philadelphia. Whether he’s squaring off against biker gangs or teasing out long-simmering feuds involving his closest friends, Walt Longmire is always the man for the job

*****

To order a signed copy of An Obvious Fact, and receive the gift, check out the Web Store. https://bit.ly/2cXZ8sO

Award Winners

Bouchercon, the World Mystery Convention, is also home to some of the awards in the mystery field.

The Anthony Awards are selected by the attendees at Bouchercon. Congratulations to this year’s winners.

Best Mystery Novel – The Killing Kind by Chris Holm

Best First Mystery – Past Crimes by Glen Erik Hamilton

Best Paperback Original – The Long and Faraway Gone by Lou Berney

Best Critical or Nonfiction – Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime by Val McDermid

Best Short Story – “The Little Men” by Megan Abbott

Best Anthology or Collection – Murder Under the Oaks: Bouchercon Anthology 2015 edited by Art Taylor

Best Young Adult Novel – Need by Joelle Charbonneau

Best Crime Fiction Audiobook – The Nature of the Beast by Louise Penny, narrated by Robert Bathurst

***

The Macavity Awards were also presented at Bouchercon. These awards are nominated and voted on by the members of Mystery Readers International. (I think you’ll recognize a few names.)

Best Mystery Novel – The Long and Faraway Gone by Lou Berney

Best First Mystery Novel – Past Crimes by Glen Erik Hamilton

Best Critical/Biographical – The Golden Age of Murder: The Mystery of the Writers Who Invented the Modern Detective Story by Martin Edwards

Best Mystery Short Story – “The Little Men” by Megan Abbott

Sue Feder Historial Mystery Award – The Masque of a Murderer by Susanna Calkins

***

The Private Eye Writers of America Shamus Awards were also presented.

Best Original Private Eye Paperback – Circling the Runway by J.L. Abrams

Best First Private Eye Novel – The Do-Right by Lisa Sandlin

Best Private Eye Short Story – “The Dead Client” by Parnell Hall

Best Hardcover Private Eye Novel – Brutality by Ingrid Thoft

The Eye: Lifetime Achievement Award – S.J. Rozan

Congratulations to all of the winners. And, for readers, look for the winning books in the Poisoned Pen’s Web Store. https://store.poisonedpen.com