Ace Atkins: The Story of the Returning Soldier

Ace Atkins is a former journalist who received a Pulitzer Prize nomination for a series of articles investigating an old unsolved murder. He has written more than a dozen novels, among them the Quinn Colson series, about an Army Ranger who returns from Iraq and Afghanistan to become sheriff of his native Tibbehah County, Miss. (The author also resides in Mississippi with his family.) The fourth in the series, The Forsaken, was released July 24.

Atkins was also chosen by the Robert B. Parker estate to continue the late author’s popular series about famed private eye Spenser. The latest installment, Robert B. Parker’s Cheap Shot, was published in May.

Some nonfiction writers say they have a hard time writing fiction because they’d have to make everything up from scratch, while some fiction writers say they struggle with writing nonfiction because they have to stick to the facts and can’t shape the story to their liking. You’ve done both. Which form do you find easier?

I don’t think I really came into my own as a writer until I started to blend the two for my novels. My first four books were somewhat surreal, and it wasn’t until I started using my background as a reporter in my fiction that my stories took on an added dimension. My fifth novel, White Shadow, really changed everything for me in my writing style and approach to novels. I work much in the same way now with my Quinn Colson books.

That much said, I also still write stories for magazines, and the challenge–and the fun–is the hunt for the truth and those little details.

For novels, I take a huge amount of inspiration from the filmmakers of late ’60s and early ’70s and their commitment to realism. I don’t like to write characters; I like to write about people. I don’t really have a favorite. I enjoy alternating between fiction and reporting with the challenges and pleasures of each.

Why did you decide to write about the plight of the American soldier returning home after being at war?

My longtime editor at G.P. Putnam asked me to consider developing a series character in contemporary times. Coming off four novels based on true stories set long ago, I was searching for someone specific to the South, where I live, and who offered an exciting story to play out in future books.

This was in 2010, after nine years of war in Afghanistan and Iraq. By this time, you’re talking about many thousands of young people who served their country–sometimes on multiple tours–returning home in big numbers. I kept on running across a lot of guys like Quinn in Mississippi. Some of them were friends in town who served in the [National] Guard; some, professional soldiers you’d meet here and there, once at a playground while our kids played together. The story of the returning soldier is as old as The Odyssey and as contemporary as the Billy Jack movies. It just seemed a perfect fit for these times and deep Mississippi.

The voice of the Spenser novels is different from the one in the Quinn Colson series. After you finish a book for one series, how much down time do you allow for the mental shift before you start work on the other series? Do you ever find one voice bleeding into the other?

That’s probably the toughest challenge I have. Spenser is unique and the style of the books is much different than my own. I probably have a harder time getting into the Spenser books because I’m thinking, “What would Robert B. Parker do?” With Quinn, there isn’t that added level of mental gymnastics.

Writing Quinn is as easy as slipping into a pair of well-worn cowboy boots. I usually take off a week or two to adjust. Listening to a different soundtrack–Spenser’s jazz to Quinn’s classic country–certainly helps.

You’ve said you write the Spenser novels in the spring and summer, so logic says you write the Colson books in the fall and winter. Is that a conscious decision to write the grittier novels when days are colder and darker?

That’s a great question! But it’s not my decision. It’s just how the production schedule falls. But no doubt some of the ominous feeling in the Quinn books comes from the lonely winters down South. It’s hard to be too brooding over a nice spring or summer day in Oxford, Miss., or in Boston.

Readers’ reactions to the Colson novels have included relief that your characters are multifaceted instead of caricatures. What are some of the biggest misconceptions you’ve seen in stories about the South?

Wow. That would take all day. I’m not a real fan of the way the South is portrayed in movies or TV. We always fall somewhere between Steel Magnolias and Mississippi Burning. As you’ll see in The Forsaken, I’m not an apologist for the Deep South’s rotten history. But as far as the New South, I like to show the complexity of the people. It goes back to what I learned from my favorite authors and those filmmakers from the 1970s. You write about the real stuff, not those redneck stereotypes. (Although I must admit some people I come across are even too wild for a comedy routine or my books.)

William Faulkner is among your influences, and characters in the Colson series even have Faulknerian names like Bundren and Varner. If the Colson books were taught in schools, what would be the course overview and the topics and themes you’d expect to see covered?

I’ve been fortunate to have some of my books taught in high school and college courses. For the Quinn novels, I think there’s much to discuss on the classic journey of the hero (along with studies on Joseph Campbell, who is a big part of my work), redemption, race, religion and, mainly, hypocrisy and greed. One thing that never changes in the South is the evil that rules when good men and women do nothing. I admire anyone, like Quinn and Lillie, who challenge an old and ingrained system.

What’s happening with the Quinn Colson TV pilot script you wrote with your wife, Angela?

The project is being developed with veteran Hollywood director/producer Jeremiah Chechik [Burn Notice; Chuck]. The process can be long and slow and we have a high level of hope the stories can be translated intact. All of us want to see a faithful telling of the Quinn stories and the world of Tibbehah County.

You have a complete John D. McDonald collection, including a novelization he wrote of a Judy Garland movie. If you were to write a book based on a movie, what would it be?

I’d like to do a novelization of 1973’s White Lightning. It’s a classic Southern action film with so many elements I love. I continue to draw a lot of inspiration from this film. —Elyse Dinh-McCrillis, blogger at Pop Culture Nerd

3,000 copies later, THEY ARE ALL SIGNED. 

 

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THE FIFTH FÉILE FIDELMA, 2014

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TO BE HELD IN CASHEL, Co.TIPPERARY 

The 5^th three-day gathering of international enthusiasts of the bestselling historical crime series ““ The Sister Fidelma Mysteries by Peter Tremayne ““ will be held in Cashel, Co. Tipperary, Ireland, from Friday, September 12, to Sunday, September 14, 2014. The venue will be The Cashel Palace Hotel.

This year’s event will be opened by Irish Minister of State Alan Kelly TD of the Department of Transport, Tourism and Spot.

The series, which has appeared in 18 languages, is set in 7^th Century Ireland whose sleuthing heroine is Fidelma, sister of King Colgú of Munster. With her companion, a Saxon, Brother Eadulf, she is an advocate of the Brehon Laws of ancient Ireland. There are now 25 books in the series.

Booklist (Journal of the American Library Association) has called it: “˜The most authentically detailed medieval mystery series currently being published.’ The Irish Examiner has also called it “˜the most detailed and vivid recreation of ancient Ireland.’  The Belfast Telegraph comments: “˜This is masterly storytelling from an author who breathes fascinating life into the world he is writing about.’

The organisers of the Féile Fidelma are a sub-committee of the Cashel Arts Festival Committee. The Féile Fidelma was first held in 2006 and has become an important part of Cashel’s literary world. This will be an extra special event as it will coincide with the twentieth anniversary of the publication of the first ever Sister Fidelma novel ““ Absolution by Murder in 1994.

An impressive program has been arranged. Among expert speakers is Professor Ed Rielly from Maine, USA, who is co-editor, with David Wooten, of the academic collection of essays The Sister Fidelma Mysteries: The Historical Novels of Peter Tremayne (2012).

Professor Pádraig Ó Riain of University College Cork, who is Ireland’s leading scholastic expert of the Fidelma’s period, will be talking about the Eóghanachta (Fidelma’s family) and the earliest writings at Cashel.

Dr Ann Buckley of Trinity College Dublin, a leading expert on liturgical music in Fidelma’s time and Dr Regina Sexton, University College Cork, leading expert on food in Fidelma’s time will be talking on their subjects.

A talk on horse breeds in Fidelma’s period, coinciding with a visit to the famous Irish Stud, Coolmore, will be given by equestrian expert Noel Mullins. He has not only authored two books about the origin of horses in Ireland, as well as countless articles in equestrian journals, but he is a expert advising and appearing in many films and television shows on the subject. In 2005, for example, he played a huntsman in the remake of “˜Lassie’ with Peter O’Toole.

David Wooten, the founder of The International Sister Fidelma Society, its director and editor of its thrice yearly journal The Brehon, will be introducing and chairing the evening with the author, Peter Tremayne. He will also be winding up the event on Sunday with his usual look at the state of Fidelma’s World. He will be reflecting on the Society’s thirteen years of existence (it was founded in 2001 and The Brehon was launched in February, 2002). And, of course, he will be examining the Féile Fidelma past and present and future.

The ever popular “˜Voice of Fidelma’, Irish actress Caroline Lennon who reads the UK Sister Fidelma audio books published by Soundings, Isis Publishing Ltd. Audible in the US will soon be issuing all the Fidelma Mysteries read by Caroline. Caroline is also well known on stage and screen. For nine years she played the character “˜Siobhan’ in BBC Radio’s popular soap “˜The Archers’.

On-line registration has already started from March 1, 2014. If you now register before May 1, 2014, there is a 10% discount at US$195 or currency equivalents. From May 1 the full registration amount of US$225 or currency equivalents comes into force. This covers entry to all the talks, the visit to the famous Coolmore Stud farm, the reception, coffee and biscuit breaks over the weekend and the gala dinner at the Cashel Palace Hotel.

Online registrations are made by credit card or PayPal at https://cashelartsfest.com/content/Buy-Tickets.html

Fidelma Society director, David R. Wooten says: “˜When registrations opened on March 1, we were highly delighted with the immediate response. Within three weeks, groups of fans for nine countries had registered and we are still a long way from September 12.  Obviously, the Sister Fidelma enthusiasts believe this is an event that is far too exciting in the calendar of Fidelma’s World to miss. We intend to make it the biggest and most successful Sister Fidelma Mysteries gathering yet.’