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Cable news, shape-shifters, and secrets dating to WWII push V I almost past her limits.
Carmilla, Queen of the Night, is a shape-shifting raven whose fictional exploits thrill girls all over the world. When tweens in Chicago’s Carmilla Club hold an initiation ritual in an abandoned cemetery, they stumble on an actual corpse, a man stabbed through the heart in a vampire-style slaying.
The girls include daughters of some of Chicago’s most powerful families: The grandfather of one, Chaim Salanter, is one of the world’s wealthiest men; the mother of another, Sophy Durango, is the Illinois Democratic candidate for Senate.
For V. I. Warshawski, the questions multiply faster than the answers. Is the killing linked to a hostile media campaign against Sophy Durango? Or to Chaim Salanter’s childhood in Nazi-occupied Lithuania? As V.I. struggles for answers, she finds herself fighting enemies who are all too human.
Before there was Lisbeth Salander or Stephanie Plum, there was V I Warshawski. Sara Paretsky (saraparetsky.com) revolutionized the mystery world in 1982 when she introduced V.I. in Indemnity Only. By creating a female investigator who uses her wits as well as her fists, Paretsky challenged a genre in which women typically were either vamps or victims. Hailed by critics and readers, Indemnity Only was followed by twelve more best-selling Warshawski novels. The New York Times writes that Paretsky “always makes the top of the list when people talk about female operatives,” while Publishers Weekly says, “Among today’s PIs, nobody comes close to Warshawski.”
Called “passionate” and “electrifying,” V.I. reflects her creator’s own passion for social justice. As a contributor to the New York Times and the Guardian newspapers, and a speaker at the Library of Congress and Oxford University, Paretsky is an impassioned advocate for those on society’s margins.
